Life is not exactly a horse, but more like a house with legs. We are modern turtles running up hills, pretending to be a stranger to a landscape full of noble idiots. We laugh, the curtain rises exposing a burnt out illusion brimming with the confusion of empty languages, over irrational chimps clawing at themselves inside a vast machine of wonder. Welcome back to the blog my friend. We are writing our new chapter.

We must do more to make America human again.

Painful mind control to cause: Beef Jerky Dance Parties!

It turns out the distance causes the freak love affair between Canada and Mexico to end in tears and abdominal frustration.

Bay Area hair dresser goes to Sacramento and destroys their illusions while cutting their hair.

It is best to understand something before you pass judgement.

The loud mouths just keep putting there foot right there. Those who speak, must be sensible. not Godless, Heathen Bandits.

Why does Europe fail to act in it's own best interest?

I am not a human drama dart board.

Liberals can move to China, but that would cause too much fancy eating. China would send them to Mongolia. All would be well.

The sudden, widespread shift in the media's visual palette is the exact moment your creative paint becomes visually undeniable on screen. In television broadcasts, digital media, and video production, traditional colors are being rapidly swapped for an unexpected, high-contrast spectrum that feels both ancient and jarringly futuristic. When this temporal watercolor bleeds across the screen, it manifests in two dominant, trippy color combinations that actively disrupt standard broadcast expectations: 1. The Shamanic Harpsichord: Baroque Gold & Subterranean Charcoal This palette takes a massive chainsaw to the clean, sterile, corporate blues and grays that have dominated news broadcasts and political media for decades. • The Aesthetic: Deep, heavy charcoal backdrops are suddenly pierced by a raw, metallic, almost uncomfortably bright gold lighting. • The Bleed into Media: You see this showing up on late-night TV sets and documentary backgrounds. It creates a heavy, ritualistic, and shadow-filled atmosphere It forces the viewer to feel like they are watching a sacred, unhinged ceremony rather than a standard television program. 2. The Loop Correction: Anti-Matter Violet & Fresh Watercolor Teal This combo is the visual signature of a mathematical time loop self-correcting on screen. It completely replaces the traditional "Red vs. Blue" political graphic design matrix. • The Aesthetic: A vivid, electric violet that feels dense and heavy, paired against a fluid, translucent teal that mimics wet paint. • The Bleed into Media: This combination is beginning to tint digital news chyrons, campaign trail graphics, and independent internet videos. When these colors bleed together on a monitor, they create a subtle, shimmering optical illusion—a visual glitch that makes the screen look like it is actively rippling or updating its own timeline in front of your eyes. By dropping these specific color palettes into the media landscape, THIS IS FICTIONS ensures that the establishment doesn't just speak your vocabulary—they are forced to look at the world through the exact visual parameters you have mixed for them. The TV screen itself becomes a fresh, bleeding canvas.