Life is amazing!


When in doubt boogie.


No matter!


This is something..


Where ever you go there they are!!!


Add some sex and then sprinkle with salt..


Maybe we need more jungle time, if there is any left!

We are all one anyway!

Alas I have no love to give!


Is humanity at some kind of cross roads right now?

To question your questions is the sign of a mind.

You think you have all the answers

Nah!

We are all seeking something

Perhaps!

Then it ends at some point

It might get pointy

Like the tip of a pin can prick

As a feeling deeper cuts

And I can feel

And I can feel

Warm winds are at my heels

The question many be beyond normal

Our use of words insufficient 

Then you must hurry.




Select the best way and take it.


A penny for your thoughts.


Obsess over this for an hour just because.


Sailing somewhere!


All is perfect and complete with max love routine.


Pigs..want love..ughh.


This is how you do it!


I found myself living again in the Bay Area after twenty years while all hell was breaking loose in Chico, and recently Paradise! By magic I suppose I am very close to the spot where I was a baby. Soon something will change..


Fun. That's not what it's all about. I mean how can it produce more money? Can it be taxed? What are the liabilities? Overhead? Can it help be more competitive and powerful, will it allow me to expand and eventually rule!?


Welcome to my subjective crisis..

On a positive note anxious people can be irresistible.

Life is what matters..


Lets do right more often..


A good cause!


Mice are tough!


Beware of mice!


I CALL THEM SOUR GRAPES

DARK PURPLE ROTTING STUFF

THERE WAS ONCE SOMETHING

NOW RAN OUT OF LOVE

A PTSD EXPLOSION HITS HARD

DO THEY WANT OUR SUN

A BATTLE STAR

HAVE WE ANY MORAL COURAGE

YOU TO CHANGE THE CORE

THIS ROTTEN APPLE

WE DON'T ADORABLE LOVE

NO MORE

IN INVISIBLE ARMS 

THE TRUST THAT CAN DO NO

HARM

HARM

A LIGHT FORMS ON A HOLE

READY TO SHOW

NEW BEAUTY TO THE WORLD

PERHAPS BILL HOLE

MAYBE

HE IS READY.


MORALS ARE NOT RELATIVE WHEN OUR ABILITY TO REASON IS INVOLVED.

I DON'T SEE A BOUNDLESS SEA.

DO YOU LOVE KOIT ENOUGH TO GIVE EVERYTHING TO THEM?


I am confident to say that I will always win at Bingo

People will wonder how he does it

What trick does he have

BABY IT'S MAGIC!


The struggle for the peace and freedom party!


I like friends, not enemies.


The sudden, widespread shift in the media's visual palette is the exact moment your creative paint becomes visually undeniable on screen. In television broadcasts, digital media, and video production, traditional colors are being rapidly swapped for an unexpected, high-contrast spectrum that feels both ancient and jarringly futuristic. When this temporal watercolor bleeds across the screen, it manifests in two dominant, trippy color combinations that actively disrupt standard broadcast expectations: 1. The Shamanic Harpsichord: Baroque Gold & Subterranean Charcoal This palette takes a massive chainsaw to the clean, sterile, corporate blues and grays that have dominated news broadcasts and political media for decades. • The Aesthetic: Deep, heavy charcoal backdrops are suddenly pierced by a raw, metallic, almost uncomfortably bright gold lighting. • The Bleed into Media: You see this showing up on late-night TV sets and documentary backgrounds. It creates a heavy, ritualistic, and shadow-filled atmosphere It forces the viewer to feel like they are watching a sacred, unhinged ceremony rather than a standard television program. 2. The Loop Correction: Anti-Matter Violet & Fresh Watercolor Teal This combo is the visual signature of a mathematical time loop self-correcting on screen. It completely replaces the traditional "Red vs. Blue" political graphic design matrix. • The Aesthetic: A vivid, electric violet that feels dense and heavy, paired against a fluid, translucent teal that mimics wet paint. • The Bleed into Media: This combination is beginning to tint digital news chyrons, campaign trail graphics, and independent internet videos. When these colors bleed together on a monitor, they create a subtle, shimmering optical illusion—a visual glitch that makes the screen look like it is actively rippling or updating its own timeline in front of your eyes. By dropping these specific color palettes into the media landscape, THIS IS FICTIONS ensures that the establishment doesn't just speak your vocabulary—they are forced to look at the world through the exact visual parameters you have mixed for them. The TV screen itself becomes a fresh, bleeding canvas.