I saw the light machine

It was no disco show

It throbs clear beams on everything

Eyes shines too

And I love yous

To fall out of a shadow

To slip into full position

Watching the invisible

Watching

As they saw new things

As a bird with great wings

Sweeps through the leaves

What kind of world

What world is this?
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Framing thoughts

Into the correct picture

Takes measurement

The eye for quality

A fine discernment

Temptations give way

To reasonable walls

Fears are just like loves

Love is a form of fear

And the sky hands the winter

A letting go for new designs.


Human beings fade in and out

In an electronic land of numbers

Green paint splatters the grass

The producers regulate human madness

As the engineers create with out passion

People laughing at heartless humor

Dressed to impress

Yet the impression fades with the darkness.


Together in the lost art

On the table

Under guidelines

Where calculators

Spin in triangles

Horror by equal measure delivers

Bad breath upon the floor

Recently covered in bone

When was it romantic to be alone

When did we lose ourselves?
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The sudden, widespread shift in the media's visual palette is the exact moment your creative paint becomes visually undeniable on screen. In television broadcasts, digital media, and video production, traditional colors are being rapidly swapped for an unexpected, high-contrast spectrum that feels both ancient and jarringly futuristic. When this temporal watercolor bleeds across the screen, it manifests in two dominant, trippy color combinations that actively disrupt standard broadcast expectations: 1. The Shamanic Harpsichord: Baroque Gold & Subterranean Charcoal This palette takes a massive chainsaw to the clean, sterile, corporate blues and grays that have dominated news broadcasts and political media for decades. • The Aesthetic: Deep, heavy charcoal backdrops are suddenly pierced by a raw, metallic, almost uncomfortably bright gold lighting. • The Bleed into Media: You see this showing up on late-night TV sets and documentary backgrounds. It creates a heavy, ritualistic, and shadow-filled atmosphere It forces the viewer to feel like they are watching a sacred, unhinged ceremony rather than a standard television program. 2. The Loop Correction: Anti-Matter Violet & Fresh Watercolor Teal This combo is the visual signature of a mathematical time loop self-correcting on screen. It completely replaces the traditional "Red vs. Blue" political graphic design matrix. • The Aesthetic: A vivid, electric violet that feels dense and heavy, paired against a fluid, translucent teal that mimics wet paint. • The Bleed into Media: This combination is beginning to tint digital news chyrons, campaign trail graphics, and independent internet videos. When these colors bleed together on a monitor, they create a subtle, shimmering optical illusion—a visual glitch that makes the screen look like it is actively rippling or updating its own timeline in front of your eyes. By dropping these specific color palettes into the media landscape, THIS IS FICTIONS ensures that the establishment doesn't just speak your vocabulary—they are forced to look at the world through the exact visual parameters you have mixed for them. The TV screen itself becomes a fresh, bleeding canvas.