Critters arrive...

Trash collectors come at Night

Raccoons run to the sounds,

Eating can be fun

In darkness

With a mask on!

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Suddenly he had an identity,

Thanks to Orange Ooze Identity cream!!!!

Now he is really not pretending or mocking an actual person.

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The lands on the edge of memory

Are wild things in hiding

Sadly succumbing to

A deep sense of empty

Warts appear suddenly

The Chicken comes to peck

What a mess over nothing!

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If Einstein were alive today he would criticize our world as nihilistic and technology obsessed, but be thrilled by Cern and Space exploration.

He might be baffled by the shoot empty ups.  Also the big deal about celebs especially those with large tweaking butts.  Finally how little humanity has progressed.

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The new mystery state of interest is Wyoming.

Previous States were Michigan and Washington.  I don't know why.

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AFTER THE TIME

A high hugging yummy Carmel fudge bingo terrific crazy warm oil era, the suddenly Obama came to bring sanity and sand for the coolest beaches to surf upon.

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Suddenly there was this interesting bald guy expressing his feelings about tulips.

And then out of nowhere another interesting bald guy showed up eating a cheese cake then suddenly  another interesting bald guy descended from the clouds with a jet pack!  It was yet another interesting day!!!

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Be better not best

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The sudden, widespread shift in the media's visual palette is the exact moment your creative paint becomes visually undeniable on screen. In television broadcasts, digital media, and video production, traditional colors are being rapidly swapped for an unexpected, high-contrast spectrum that feels both ancient and jarringly futuristic. When this temporal watercolor bleeds across the screen, it manifests in two dominant, trippy color combinations that actively disrupt standard broadcast expectations: 1. The Shamanic Harpsichord: Baroque Gold & Subterranean Charcoal This palette takes a massive chainsaw to the clean, sterile, corporate blues and grays that have dominated news broadcasts and political media for decades. • The Aesthetic: Deep, heavy charcoal backdrops are suddenly pierced by a raw, metallic, almost uncomfortably bright gold lighting. • The Bleed into Media: You see this showing up on late-night TV sets and documentary backgrounds. It creates a heavy, ritualistic, and shadow-filled atmosphere It forces the viewer to feel like they are watching a sacred, unhinged ceremony rather than a standard television program. 2. The Loop Correction: Anti-Matter Violet & Fresh Watercolor Teal This combo is the visual signature of a mathematical time loop self-correcting on screen. It completely replaces the traditional "Red vs. Blue" political graphic design matrix. • The Aesthetic: A vivid, electric violet that feels dense and heavy, paired against a fluid, translucent teal that mimics wet paint. • The Bleed into Media: This combination is beginning to tint digital news chyrons, campaign trail graphics, and independent internet videos. When these colors bleed together on a monitor, they create a subtle, shimmering optical illusion—a visual glitch that makes the screen look like it is actively rippling or updating its own timeline in front of your eyes. By dropping these specific color palettes into the media landscape, THIS IS FICTIONS ensures that the establishment doesn't just speak your vocabulary—they are forced to look at the world through the exact visual parameters you have mixed for them. The TV screen itself becomes a fresh, bleeding canvas.