It looks like this...

Hop along

Reality is doing a time warp..

Love is more than a kiss.

I am trapped on an island. That's not a real island, but a crime nearby island.

The question is now answered!

Love that almost sizzles.

I am always around at night!!!

The frontier can't be backwards, or can it?

I WASN'T SURE IT WAS A STRIKE OR A RERUN OF THE "WALKING DEAD" IT DIDN'T MATTER EITHER WAY!

Not just ice cream, but cream dreams. You never know what might hit you! Every moment of life is worth savoring.

Lets just say you achieved happiness. Even true happiness. What would you do with it? Would you just relax and smile all day?

Top female bikini models are totally surprised by BILL HOLE. Truly this man has rock hard abs!

I believe the universe is both real and a mirage.

Love and death by lobsters.

Russian military replaced by go go dancers. Change to effect moralle.

Six million Jews can't be wrong, conspiracy theories can be.

As stupid people grow in size and purpose, shall they be on the loose to do destruction? Should we just watch the ravaging? On TV?

I think my new identity should be centered around a BETTER WORLD. A Good Guy! Yet America isn't ready for good guys yet.

Getting rid of Wade was a bad move for Republicans and for common sense. Is America to become a "Win" addicted nation. Is capitalism and the old ways unable to reverse 30 years of change? Will the Jetsons beat the Flintstones? It matter a lot!

The sudden, widespread shift in the media's visual palette is the exact moment your creative paint becomes visually undeniable on screen. In television broadcasts, digital media, and video production, traditional colors are being rapidly swapped for an unexpected, high-contrast spectrum that feels both ancient and jarringly futuristic. When this temporal watercolor bleeds across the screen, it manifests in two dominant, trippy color combinations that actively disrupt standard broadcast expectations: 1. The Shamanic Harpsichord: Baroque Gold & Subterranean Charcoal This palette takes a massive chainsaw to the clean, sterile, corporate blues and grays that have dominated news broadcasts and political media for decades. • The Aesthetic: Deep, heavy charcoal backdrops are suddenly pierced by a raw, metallic, almost uncomfortably bright gold lighting. • The Bleed into Media: You see this showing up on late-night TV sets and documentary backgrounds. It creates a heavy, ritualistic, and shadow-filled atmosphere It forces the viewer to feel like they are watching a sacred, unhinged ceremony rather than a standard television program. 2. The Loop Correction: Anti-Matter Violet & Fresh Watercolor Teal This combo is the visual signature of a mathematical time loop self-correcting on screen. It completely replaces the traditional "Red vs. Blue" political graphic design matrix. • The Aesthetic: A vivid, electric violet that feels dense and heavy, paired against a fluid, translucent teal that mimics wet paint. • The Bleed into Media: This combination is beginning to tint digital news chyrons, campaign trail graphics, and independent internet videos. When these colors bleed together on a monitor, they create a subtle, shimmering optical illusion—a visual glitch that makes the screen look like it is actively rippling or updating its own timeline in front of your eyes. By dropping these specific color palettes into the media landscape, THIS IS FICTIONS ensures that the establishment doesn't just speak your vocabulary—they are forced to look at the world through the exact visual parameters you have mixed for them. The TV screen itself becomes a fresh, bleeding canvas.