Mostly
We love ourselves too often and need reach out much more often. It is a social responsibility and it effects the environment also.
Iran says it will deliver a "crushing response" to US strikes Jessie Yeung By Jessie Yeung Iran warned in the early hours of Wednesday that it would deliver a “crushing response” to US strikes – with the ceasefire between the two countries on increasingly shaky ground. “The Armed Forces of the Islamic Republic of Iran will deliver a crushing response to the US aggression and terrorist action,” said Iran’s top joint military command, Khatam al-Anbiya Central Headquarters, according to state broadcaster IRIB. The command added that it would “under no circumstances, will allow interference in the affairs or management of the Strait of Hormuz.” It added that the “only safe passage” for vessels traveling through the Strait of Hormuz was through Iran-designated routes. The US launched new strikes against dozens of targets across Iran on Tuesday overnight into Wednesday, and reimposed sanctions as “punishment” for attacks on commercial ships near the contested waterway. Iran’s top negotiator Mohammad Bagher Ghalibaf accused the US of violating their memorandum of understanding in a post to X, warning “the era of bullying and extortion is over.” “We don’t fold,” Ghalibaf said.
Here's the latest • US strikes on Iran: The US military has “completed” a new round of strikes on Iran, hitting over 80 targets, according to a statement late Tuesday from US Central Command. The US also reimposed sanctions on Iranian oil sales in retaliation for attacks on commercial ships near the Strait of Hormuz. • Local impact: Iranian state media reported explosions on Kharg island, a vital hub for Tehran’s oil exports, as well as in the port cities of Bandar Abbas and Sirik and on Qeshm Island. The attacks happened as Iran holds a funeral for the late supreme leader. Last week, Tehran warned the US and Israel not to launch any strikes during the multi-day event. • NATO summit: Security in the Strait of Hormuz was expected to be discussed by US President Donald Trump and other NATO leaders as they gather in Ankara, Turkey.
Instead of running from unusual danger, let’s just get down and dirty right now. February 20, 2016 Mmmmm, I changed my mind. So Bill, what do you think about me? As you can see, I’m very busty and amazingly pretty. I possess an advanced degree, plus I know the math of seduction and have been to space once! I am Susan — your personal friend! And matching DNA woman!Quick FeedbackThis version of Susan Hole is aggressively forward and a little chaotic — bragging about her body, brains, and even “been to space once!” in the same breath. It makes her feel unhinged, horny, and oddly competitive. The “matching DNA woman” line is strangely intimate and possessive, which fits the wife role in a twisted way.It’s very different from Miss Lips’s more poetic fishing metaphors. Susan feels more blunt and desperate.Do you want me to:Make it dirtier / more explicit? Tone it down or make it more unhinged? Turn it into a full scene where she’s saying this to Bill? Add how Bill (or Miss Lips, or Jim Spleen) reacts? Just tell me the direction you want for Susan Hole and we’ll keep going. Explore the math of seduction concept Investigate the matching DNA theory Rewrite Susan's dialogue to be more coherent She says she was the favorite at The End of the Road Saloon, always the good girl and the good times girl at the same time! Nice addition — that gives Susan Hole a fun, contradictory edge.Updated Susan Hole Voice / SceneInstead of running from unusual danger, let’s just get down and dirty right now. February 20, 2016 Mmmmm, I changed my mind. So Bill, what do you think about me? As you can see, I’m very busty and amazingly pretty. I possess an advanced degree, plus I know the math of seduction and have been to space once! I was the favorite at The End of the Road Saloon, baby — always the good girl and the good times girl at the same time! Sweet smile by day, legs wrapped around the pole (or you) by night. I am Susan — your personal friend! Your matching DNA woman! Your wife.This version keeps her bold, horny, and self-mythologizing. The “End of the Road Saloon” line adds a seedy, nostalgic, bar-girl past that contrasts with her current “wife” status. It makes her sound like she’s selling herself hard to Bill — part seduction, part desperate reminder of why he chose her.Questions for you:Is she saying this to Bill in person, in a letter/email, or while drunk? Does she actually believe she’s still that saloon favorite, or is this a fantasy she’s clinging to? How does Bill usually react when she gets like this? Want me to expand it into a longer monologue or short scene? Or add how someone else (Miss Lips or Jim Spleen) overhears/reacts? Keep feeding me lines or traits — Susan is turning into quite the character. Explore the saloon's history Research 1970s saloon culture Refine the seductive tone They met at the bar for a few bangers. Alright, adding that in.Updated Snippet / SceneInstead of running from unusual danger, let’s just get down and dirty right now. February 20, 2016 Mmmmm, I changed my mind. So Bill, what do you think about me? As you can see, I’m very busty and amazingly pretty. I possess an advanced degree, plus I know the math of seduction and have been to space once! We met at the bar for a few bangers, remember? The End of the Road Saloon — I was the favorite, always the good girl and the good times girl at the same time. Sweet smile by day… legs spread and taking bangers by night. I am Susan — your personal friend! Your matching DNA woman! Your wife.This keeps the sexual energy high while tying in the bar meeting. “A few bangers” works nicely as a cheeky double meaning (sausages at the bar + sexual encounters).Would you like:A fuller scene with dialogue and action? More emphasis on the memory of that night at the saloon? To make it even dirtier or more nostalgic? Just say how you want to steer Susan’s voice or the scene and I’ll adjust. She’s got a wild, messy charm developing. Explore the Saloon's history Investigate 2016 bar culture Something else to add in: She had an enormous candlestick shaped like a dick.. March 02, 2016She had burned many candles with itThere was a princess who lives in a hatAlso eating deep fried batsThere was an old Man in a boatWho claimed that he owned GoatThe tall thin man slipped into a shadowWe heard the licking of lips!All was quiteSuddenly there she was!Miss Beatrice Big Butt herself!!! Got the new piece — it's getting wonderfully weird and grotesque. Here's your addition incorporated and lightly smoothed for flow:She had an enormous candlestick shaped like a dick. March 02, 2016 She had burned many candles with it. There was a princess who lives in a hat, also eating deep fried bats. There was an old man in a boat who claimed that he owned Goat. The tall thin man slipped into a shadow. We heard the licking of lips! All was quiet… Suddenly there she was! Miss Beatrice Big Butt herself!!!Quick ThoughtsThis section feels like a fever-dream or grotesque fairy tale. The giant dick-candlestick burning for Susan is a strong (and very on-the-nose) symbol of her sexual frustration or history. Then it spirals into absurd characters — the bat-eating princess, the goat-owning old man, the shadowy tall man, and finally the dramatic entrance of Miss Beatrice Big Butt.It contrasts nicely with Susan’s earlier bold, horny monologue. Now the tone has shifted into surreal absurdity.Do you want me to:Connect this more clearly to Susan Hole (is this her memory, her fantasy, or something she’s telling Bill)? Make the dick-candlestick scene dirtier or more detailed? Expand on Miss Beatrice Big Butt? This story is turning into something pretty wild and grotesque. Throw me the next part or tell me how you want to steer it. Explore the symbolism of the candlestick Research grotesque fairy tale authors Clarify the connection to Susan Hole Susan Hole was once Beatrice Big Butt until she moved her butt fat to her face Okay — that’s a gloriously grotesque twist.Updated Susan Hole / Beatrice Big Butt LoreSusan Hole (formerly known as Miss Beatrice Big Butt) once had an absolutely enormous, legendary ass. She was the star at The End of the Road Saloon — famous for it. Then, at some point (perhaps through some deranged surgery, black magic, or sheer force of will), she moved her butt fat to her face.Now she has:A disproportionately huge, puffed-up face (maybe chipmunk cheeks, giant lips, or a massive forehead). A much smaller, flatter butt. The same hungry, over-the-top sexual energy, but now filtered through this bizarre new body. She burned candles on that giant dick-shaped candlestick during her Beatrice era, lived the high life as the good-girl/good-times-girl, and now as Susan Hole she’s trying to use her new “face fat” as part of her seduction math with Bill.
So Bill, what do you think about me? As you can see, I’m very busty and amazingly pretty. I possess an advanced degree, plus I know the math of seduction and have been to space once! We met at the bar for a few bangers, remember? The End of the Road Saloon — I was the favorite, always the good girl and the good times girl at the same time. Sweet smile by day… legs spread and taking bangers by night. I am Susan — your personal friend! Your matching DNA woman! Your wife.
Jim Spleen is often seen pacing around Solid starting trait. Jim Spleen is often seen pacing around — that restless, repetitive movement immediately gives him a restless, agitated energy. It makes him feel like someone who can’t sit still with his thoughts (or his spleen-full of grievances).Quick Character Sketch for Jim SpleenJim Spleen Age: Mid-40s Habit: Constant pacing — narrow circles in his small apartment, up and down the sidewalk outside the corner store, or wearing a groove into the carpet at the laundromat. People in the neighborhood joke that you can set your watch by the rhythm of his footsteps.He paces when he’s thinking, when he’s angry, when he’s anxious, and especially when he’s pretending he’s not anxious. The motion seems to keep the bitterness circulating so it doesn’t pool and poison him completely.Possible Flavors We Could Give Him:The Bitter Observer — He paces while muttering about how everything is going to shit, offering unsolicited commentary on Miss Lips’s transformation plans or Bill Hole’s hidden depths. The Restless Romantic — He paces because he’s stuck on someone (maybe Miss Lips herself?) and can’t decide whether to act or stew. The Low-Key Schemer — The pacing is how he plots. Every lap around the block is another layer of a half-baked plan. What else do you see in him? Why does he pace so much? How does he interact with Miss Lips or Bill? Any physical description, job, or catchphrase you want to add? Throw me whatever comes to mind and we’ll keep building Jim Spleen together. Explore pacing's psychological symbolism Investigate neighborhood gossip dynamics Add specific catchphrase for Jim He speaks with whips that shoot out of his mouth Nice — that’s a vivid, almost grotesque image. Updated Jim SpleenJim Spleen paces constantly, and when he speaks, whips shoot out of his mouth.Not literally (unless you want surrealism), but his words come out like lashes — sharp, stinging, fast, and impossible to dodge. They crack in the air, leave marks, and often draw blood (metaphorically). Even his compliments tend to have a little flick at the end that stings.He doesn’t raise his voice much. The whips do the work for him.Example Lines / MomentsTo Miss Lips while she’s trying on her shiny new dress: Crack — “Looking good enough to fool someone… for about five minutes.” To Bill Hole: Snap — “Still pretending you’re just a harmless little hole in the ground, eh? We both know what lives down there.” When he’s pacing alone: The whips come out anyway, lashing at invisible enemies or old memories. Questions to deepen himAre the verbal whips something he controls, or do they sometimes escape and embarrass him? Does Miss Lips find them thrilling, terrifying, or useful? Is there anyone who can disarm his whips, or does everyone eventually get stung? Want me to write a short scene with him pacing and whipping his words at someone (Miss Lips, Bill, or a stranger)? Or add more traits? Keep feeding me details — Jim Spleen is getting interestingly unpleasant in a compelling way. Explore the origin of his verbal whips Introduce a character immune to his words Include a scene where he accidentally lashes Miss Lips His hair is red and his lips are purple, and he comes from Russia Perfect — now we have a strong visual.Jim Spleen – Current PortraitAppearance: Striking and slightly off-putting. Bright red hair (the kind that looks almost artificial under certain lights) and purple lips — thin, perpetually chapped, with a bruised-looking tint. When he speaks, those purple lips pull back and the verbal whips fly out. Origin: From Russia (or Russian background). This could add layers — maybe a thick accent that makes the whips even sharper, or a sense of displacement and old-world cynicism. Behavior: Constantly pacing, restless, with a coiled energy. The red hair might catch the light as he turns, and the purple lips make every lash of his tongue visually striking. He looks like a character who stepped out of a dark fairy tale or a cold Eastern European winter — equal parts magnetic and repulsive.
Thanks for sharing that. Here's the piece you sent:Miss Lips was fishing along time ago May 17, 2016 She wanted an electrical eel As Salmon though fatty Had suddenly gotten old As to sit and read for days Then dark cold years For Miss Lips to win A very nice eel for lunch Plus great electrics Now in the future present She would be fabulous Then famous In a shiny new dress Maybe with Bill. Quick ThoughtsIt's got a dreamy, fairy-tale-like quality with a touch of melancholy and hope. The fishing metaphor (seeking something electric/shocking instead of the familiar but aging "Salmon") feels symbolic — maybe chasing excitement, energy, or a different kind of connection. The shift from "dark cold years" to "fabulous / famous / shiny new dress" gives it an arc of transformation.The language is fragmented and poetic, almost like stream-of-consciousness or song lyrics. The date (May 17, 2016) grounds it like a journal entry, which adds intimacy.Questions for you as the writer:What does the "electrical eel" represent for Miss Lips Nelson? Is this part of a larger story with Bill Hole, or more of a standalone vignette? Are you going for a surreal/fairy-tale tone overall, or something more narrative? If you have more sections or want feedback on expanding this, refining the rhythm, or developing the characters further, feel free to share. Keep writing! Explore symbolism of electrical eels Analyze Miss Lips Nelson character Refine rhythm and stanza structure Its about her preparing to be more than she is for a man. Got it — that adds a nice layer.So Miss Lips Nelson is in a phase of deliberate transformation: moving beyond her current self (the fishing, the aging salmon phase, the "dark cold years") in hopes of becoming "fabulous / famous / in a shiny new dress" — all for a man (possibly Bill Hole, or someone he represents).That gives the piece a bittersweet, almost sacrificial undertone. She's not just evolving for herself; she's preparing to be more to catch/keep this electric connection. The "electrical eel" she wants feels risky and energizing compared to the safe but stale salmon.How It Reads With That ContextIt works as a short, poetic character sketch or song-lyric-style vignette. The fragmented style mirrors someone mentally rehearsing a big change — jumping between past effort, present longing, and future fantasy.Suggestions if you want to develop it:Lean into the tension: What does she risk losing by becoming "more" for him? The eel vs. salmon contrast is strong — maybe expand the metaphor (what makes the eel so desirable? Danger? Spark? Novelty?). The ending "Maybe with Bill" feels tentative and vulnerable. Does she get him? Or is it still a maybe? Would you like help expanding this into a longer scene, tightening the language, or exploring Miss Lips's inner thoughts more deeply? Or share another excerpt? I'm here for it. Keep going with your writing. Explore Miss Lips's inner conflict Analyze symbolism of electrical eels Expand the eel versus salmon metaphor Bill Hole is his character and a seemingly boring character, he on the other hand is not boring, and in some ways she knows she is a bit of a blockhead Thanks for the extra context — this is helping paint a clearer picture.So we have:Miss Lips Nelson: Aware of her own “blockhead” tendencies (maybe a bit naive, stubborn, or slow to catch on in certain ways), but she’s actively trying to level up — chasing the exciting “electrical eel” instead of settling for the familiar fatty salmon. She’s preparing to become “more” (fabulous, famous, shiny new dress) specifically for a man. Bill Hole: On the surface, he comes across as boring or ordinary (the “hole” in his name even suggests something plain or empty). But underneath, he’s not boring — there’s hidden depth, complexity, or spark that Miss Lips sees (or hopes is there). That contrast creates good tension. She knows she’s not the sharpest, yet she’s betting on this seemingly dull guy who might actually be electric. It feels like a story about perception, self-doubt, transformation, and seeing potential in someone (or something) others might overlook.Possible Angles to ExploreDoes Bill know she sees him this way, or is she projecting? What makes her feel like a “blockhead” around him specifically? How does the “electrical eel” metaphor tie into Bill — is he the eel, or is she trying to become eel-like to match him? If you want, share another snippet, or tell me more about a specific scene/moment between them. I can help with dialogue ideas, ways to show Bill’s hidden non-boring side, or how Miss Lips’s self-awareness plays out.Your characters are starting to feel like they have real potential for a quirky, introspective story. Keep sharing if you’d like feedback. Explore Bill's hidden depths Analyze quirky character names Clarify pronoun usage for Bill An electric eel also refers to exciting sex with a man Ah — that makes the metaphor land with more heat.So the “electrical eel” isn’t just excitement or energy in a general sense — it’s specifically electric, thrilling sex with a man (likely Bill Hole). Miss Lips is tired of the safe, familiar, but ultimately dull “fatty salmon” kind of intimacy that’s gotten old. She’s been fishing through dark, cold years for something that truly shocks her system.That adds a sharper, more sensual (and vulnerable) edge to her desire to become “fabulous / famous / in a shiny new dress.” She’s not just dressing up for romance — she’s preparing herself to be desirable and open to intense physical connection.How This Strengthens the PieceIt turns the fishing scene into a clear sexual metaphor without being too on-the-nose. Her self-awareness (“a bit of a blockhead”) becomes more poignant — she knows she’s not the most sophisticated, yet she still craves (and is willing to transform for) that electric experience. Bill Hole’s “seemingly boring” exterior hiding real intensity fits perfectly: the plain guy who can deliver the shock she wants. Would you like help rewriting or expanding the snippet with this sexual subtext more woven in (subtly or overtly)? Or developing a scene where Miss Lips tries to seduce/prepare for that “eel” energy with Bill?I can keep feedback constructive for your writing. Just let me know the direction you want. Explore sexual metaphors in literature Study electric eel biology facts Rewrite snippet with subtle subtext Bill to her is an undeveloped character to mold, but first she needs his electric eel Understood. So for Miss Lips Nelson, Bill Hole is raw material — an "undeveloped character" she wants to shape and mold into something more. But her immediate priority is getting access to his electric eel — that thrilling, shocking sexual energy she craves after years of dull, fatty salmon intimacy.That creates a clear power dynamic and motivation:She sees potential in him (the hidden non-boring side). She’s willing to transform herself (shiny new dress, fabulous/famous version) to get what she wants. Sex comes first as the key that unlocks the rest.
Oh yea, this could be their big warrior year. "Gen Z's Big Warrior Year" has a nice ring to it.If the narrative catches fire — regime oppression videos going mega-viral, dissident stories amplified, funny-but-cutting memes dismantling their propaganda — they could absolutely make life uncomfortable for Tehran in the information space.They already did versions of this during other global events (Hong Kong, Ukraine, etc.). Give them a focused enemy with clear villain aesthetics (theocratic rulers living lavishly while preaching to the poor), and the content machine would go nuclear.It wouldn't win the war by itself, but it could:Erode regime legitimacy inside Iran Pressure international opinion Boost morale for opposition groups The question is whether they'd stay united and sustained, or if it turns into performative slacktivism that fades after a few weeks. Gen Z can be ferocious when motivated, though.You see them stepping up big time on this? What kind of online tactics do you think would hit hardest?
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