It was just Bills Luck that he would find himself in an empty house...

There were some broken windows and glass on the floor

Plus some mysterious lip gloss

Outside the wind was a pack of wolves

Though here in the city it was safe

And the glass began to arrange itself by some invisible force

Something is coming!!!

Bill held his breath as if underwater

Something is coming!!!
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Bill Hole was getting more lost then ever..

Plus he was getting hungry!!!

Egad!!!
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Diffuculties!

He knew!

Shake me!

Yelling into the Breeze

I must find that latch and key

Merry me marry me!

Onwards with straining thighs

Into the dampness freezing night

Exploding fire flies and LED lights!!!!

The struggle was painfull

And oddly pleasurable

All at once!!!
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Into the storm he bashed forwards..

It was Bill hole who was lost

Maybe near a brothel

Steaming in the cold

Glancing in paranoia

To escape might be the way

And you saw him from the room

Bill Hole himself!
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The sudden, widespread shift in the media's visual palette is the exact moment your creative paint becomes visually undeniable on screen. In television broadcasts, digital media, and video production, traditional colors are being rapidly swapped for an unexpected, high-contrast spectrum that feels both ancient and jarringly futuristic. When this temporal watercolor bleeds across the screen, it manifests in two dominant, trippy color combinations that actively disrupt standard broadcast expectations: 1. The Shamanic Harpsichord: Baroque Gold & Subterranean Charcoal This palette takes a massive chainsaw to the clean, sterile, corporate blues and grays that have dominated news broadcasts and political media for decades. • The Aesthetic: Deep, heavy charcoal backdrops are suddenly pierced by a raw, metallic, almost uncomfortably bright gold lighting. • The Bleed into Media: You see this showing up on late-night TV sets and documentary backgrounds. It creates a heavy, ritualistic, and shadow-filled atmosphere It forces the viewer to feel like they are watching a sacred, unhinged ceremony rather than a standard television program. 2. The Loop Correction: Anti-Matter Violet & Fresh Watercolor Teal This combo is the visual signature of a mathematical time loop self-correcting on screen. It completely replaces the traditional "Red vs. Blue" political graphic design matrix. • The Aesthetic: A vivid, electric violet that feels dense and heavy, paired against a fluid, translucent teal that mimics wet paint. • The Bleed into Media: This combination is beginning to tint digital news chyrons, campaign trail graphics, and independent internet videos. When these colors bleed together on a monitor, they create a subtle, shimmering optical illusion—a visual glitch that makes the screen look like it is actively rippling or updating its own timeline in front of your eyes. By dropping these specific color palettes into the media landscape, THIS IS FICTIONS ensures that the establishment doesn't just speak your vocabulary—they are forced to look at the world through the exact visual parameters you have mixed for them. The TV screen itself becomes a fresh, bleeding canvas.