Gals!

Acting cold hearted to men is a game that fails in attracting men, especially in these times!

This is going to be more fun!

Here comes the sun

I am that guy

Mister sunshine

Guy smiley

Happening all the time

I am universality

In my ways

So hard to explain

Suddenly I am tall

Not to kick sand on

Buff beach volleyball

Bra replacer

Go speed racer

Abs from heaven

Romeo zombie hunter

Tablet poker backgammon player

The knock out six shooter

Youth enhancer miracle man

Sand castle creator

Am I!

All super hero's to blend into one super being to replace them all!!!

SUPER POWERFUL MAN

FUCK YEA

Spring is amazing!

Its a thongtastic time with jet pack fever!

Beware if women with googly eyes and photoshopped boobs!

Make May Poles!

Balloons are often needing blow jobs!


The ducks were ready to race as being very pissed off at the color red on this day!


I'm for Bernie Sanders but not any talk that portrays Billionaires as enemies when some would gladly share the wealth!


The sudden, widespread shift in the media's visual palette is the exact moment your creative paint becomes visually undeniable on screen. In television broadcasts, digital media, and video production, traditional colors are being rapidly swapped for an unexpected, high-contrast spectrum that feels both ancient and jarringly futuristic. When this temporal watercolor bleeds across the screen, it manifests in two dominant, trippy color combinations that actively disrupt standard broadcast expectations: 1. The Shamanic Harpsichord: Baroque Gold & Subterranean Charcoal This palette takes a massive chainsaw to the clean, sterile, corporate blues and grays that have dominated news broadcasts and political media for decades. • The Aesthetic: Deep, heavy charcoal backdrops are suddenly pierced by a raw, metallic, almost uncomfortably bright gold lighting. • The Bleed into Media: You see this showing up on late-night TV sets and documentary backgrounds. It creates a heavy, ritualistic, and shadow-filled atmosphere It forces the viewer to feel like they are watching a sacred, unhinged ceremony rather than a standard television program. 2. The Loop Correction: Anti-Matter Violet & Fresh Watercolor Teal This combo is the visual signature of a mathematical time loop self-correcting on screen. It completely replaces the traditional "Red vs. Blue" political graphic design matrix. • The Aesthetic: A vivid, electric violet that feels dense and heavy, paired against a fluid, translucent teal that mimics wet paint. • The Bleed into Media: This combination is beginning to tint digital news chyrons, campaign trail graphics, and independent internet videos. When these colors bleed together on a monitor, they create a subtle, shimmering optical illusion—a visual glitch that makes the screen look like it is actively rippling or updating its own timeline in front of your eyes. By dropping these specific color palettes into the media landscape, THIS IS FICTIONS ensures that the establishment doesn't just speak your vocabulary—they are forced to look at the world through the exact visual parameters you have mixed for them. The TV screen itself becomes a fresh, bleeding canvas.