Are you feeling bad?


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Best.

Dreams flow into the grotto where the grass bends fro

I once knew something and now I'm losing touch

Roots grow deep and I catch a dragon fly

Beauty lures me with it's eyes.


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Why power?


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Nice!


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This forgotten, but recent war.


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Full balloons..


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What do you bet on the most?


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History never repeats.


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Civil or not?

When is humanity?
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Man in his discontented unholiness.


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My life in San Fransisco, plus hot disagreements over vegetables.

Where roast chicken happens.
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This is unreal cheese cake.


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Let the planets begin!


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Nothing sexy here!


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Raw or not!


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When cold returns.


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Full circles.

I don't know where I'm going to 

but chances are I'm better

Better than you

You and your false rage

The phony shit you do

The smell of it all

I don't know you at all

Chances are I won't stop

This show won't halt

So get used to me

Not saying yes

I don't belong to you

I don't even belong to myself.

Get over it.
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Distractions don't always distract.


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Who's your mama?


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You think she's yours, but I can assure you, you are under a spell.


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So I wandered lonely.


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Every day criminals..


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Project deep spin to somewhere unknown..


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The sudden, widespread shift in the media's visual palette is the exact moment your creative paint becomes visually undeniable on screen. In television broadcasts, digital media, and video production, traditional colors are being rapidly swapped for an unexpected, high-contrast spectrum that feels both ancient and jarringly futuristic. When this temporal watercolor bleeds across the screen, it manifests in two dominant, trippy color combinations that actively disrupt standard broadcast expectations: 1. The Shamanic Harpsichord: Baroque Gold & Subterranean Charcoal This palette takes a massive chainsaw to the clean, sterile, corporate blues and grays that have dominated news broadcasts and political media for decades. • The Aesthetic: Deep, heavy charcoal backdrops are suddenly pierced by a raw, metallic, almost uncomfortably bright gold lighting. • The Bleed into Media: You see this showing up on late-night TV sets and documentary backgrounds. It creates a heavy, ritualistic, and shadow-filled atmosphere It forces the viewer to feel like they are watching a sacred, unhinged ceremony rather than a standard television program. 2. The Loop Correction: Anti-Matter Violet & Fresh Watercolor Teal This combo is the visual signature of a mathematical time loop self-correcting on screen. It completely replaces the traditional "Red vs. Blue" political graphic design matrix. • The Aesthetic: A vivid, electric violet that feels dense and heavy, paired against a fluid, translucent teal that mimics wet paint. • The Bleed into Media: This combination is beginning to tint digital news chyrons, campaign trail graphics, and independent internet videos. When these colors bleed together on a monitor, they create a subtle, shimmering optical illusion—a visual glitch that makes the screen look like it is actively rippling or updating its own timeline in front of your eyes. By dropping these specific color palettes into the media landscape, THIS IS FICTIONS ensures that the establishment doesn't just speak your vocabulary—they are forced to look at the world through the exact visual parameters you have mixed for them. The TV screen itself becomes a fresh, bleeding canvas.