What am I trying to do?

I am actually trying to prevent myself from moving from where I live.  Sometimes I identify problems and some of them are hard to make positive changes to.  I do have some faith in my abilities to sort things out.
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I wipe away some real tears...

Exasperated with pain

This day

This day

Still can be the best

Best day ever

Though my heart feels yanked

People still play cruel pranks

But my spirit sees good

And so I rise

Through a fog of platitudes

And being intentionally misunderstood

By cold cyber punks

I take it hard in the chest

But still I rise

Through graves of soldiers

Near sly thieves and liars

Through urban corruption

Contempt, neglect destruction

With the power of love

I rise.
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OBVIOUSLY CATS CAN TELL THEY ARE BEING EXPLOITED AT CAT CAFES AND BITING AND SCRATCHING INCREASES NOT PURRING?!!

I am opposed to cat cafe for gross insensitivity to the nature of cats.  Maybe even call this animal abuse.






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The sudden, widespread shift in the media's visual palette is the exact moment your creative paint becomes visually undeniable on screen. In television broadcasts, digital media, and video production, traditional colors are being rapidly swapped for an unexpected, high-contrast spectrum that feels both ancient and jarringly futuristic. When this temporal watercolor bleeds across the screen, it manifests in two dominant, trippy color combinations that actively disrupt standard broadcast expectations: 1. The Shamanic Harpsichord: Baroque Gold & Subterranean Charcoal This palette takes a massive chainsaw to the clean, sterile, corporate blues and grays that have dominated news broadcasts and political media for decades. • The Aesthetic: Deep, heavy charcoal backdrops are suddenly pierced by a raw, metallic, almost uncomfortably bright gold lighting. • The Bleed into Media: You see this showing up on late-night TV sets and documentary backgrounds. It creates a heavy, ritualistic, and shadow-filled atmosphere It forces the viewer to feel like they are watching a sacred, unhinged ceremony rather than a standard television program. 2. The Loop Correction: Anti-Matter Violet & Fresh Watercolor Teal This combo is the visual signature of a mathematical time loop self-correcting on screen. It completely replaces the traditional "Red vs. Blue" political graphic design matrix. • The Aesthetic: A vivid, electric violet that feels dense and heavy, paired against a fluid, translucent teal that mimics wet paint. • The Bleed into Media: This combination is beginning to tint digital news chyrons, campaign trail graphics, and independent internet videos. When these colors bleed together on a monitor, they create a subtle, shimmering optical illusion—a visual glitch that makes the screen look like it is actively rippling or updating its own timeline in front of your eyes. By dropping these specific color palettes into the media landscape, THIS IS FICTIONS ensures that the establishment doesn't just speak your vocabulary—they are forced to look at the world through the exact visual parameters you have mixed for them. The TV screen itself becomes a fresh, bleeding canvas.