When you vote think about everything..

The social media showed April 22 as a deliberate attack on Jews that continued into June. I would describe it as a massive attack conducted online and offline and demand investigation now.

Los Angeles is now BANNED FROM THE UNIVERSE!

If you have butt crust fever, then I'm your man!

Less might be more.

I believe the mobs that formed April 22 were going after the Jews in order to go after all sorts of people after we are out of the way. Say I'm being outragous, but I was there day after day online with my jaw dropped. I have a person who was witness to this also.

This is how things went: Protestors began calling themselves pro palistinian and anti holocaust museum, then smoke got to them and they called themselves pro hamas, this was embarrassing so they became anti isreal, then anti israel and anti zionist, this started to look pro second holocaust so they said finally that they are now anti genocide. Finally all Jews are children of hitler, eat babies, and offer trillions of dollars to an evil israeli military cult hidden inside a lava tube.

I am not for sale, but I am better than prime rib.

The flavor of the day: Erosion.

Analysis: For the attacker, they will regret it. For the liar, they will eat it.

The sudden, widespread shift in the media's visual palette is the exact moment your creative paint becomes visually undeniable on screen. In television broadcasts, digital media, and video production, traditional colors are being rapidly swapped for an unexpected, high-contrast spectrum that feels both ancient and jarringly futuristic. When this temporal watercolor bleeds across the screen, it manifests in two dominant, trippy color combinations that actively disrupt standard broadcast expectations: 1. The Shamanic Harpsichord: Baroque Gold & Subterranean Charcoal This palette takes a massive chainsaw to the clean, sterile, corporate blues and grays that have dominated news broadcasts and political media for decades. • The Aesthetic: Deep, heavy charcoal backdrops are suddenly pierced by a raw, metallic, almost uncomfortably bright gold lighting. • The Bleed into Media: You see this showing up on late-night TV sets and documentary backgrounds. It creates a heavy, ritualistic, and shadow-filled atmosphere It forces the viewer to feel like they are watching a sacred, unhinged ceremony rather than a standard television program. 2. The Loop Correction: Anti-Matter Violet & Fresh Watercolor Teal This combo is the visual signature of a mathematical time loop self-correcting on screen. It completely replaces the traditional "Red vs. Blue" political graphic design matrix. • The Aesthetic: A vivid, electric violet that feels dense and heavy, paired against a fluid, translucent teal that mimics wet paint. • The Bleed into Media: This combination is beginning to tint digital news chyrons, campaign trail graphics, and independent internet videos. When these colors bleed together on a monitor, they create a subtle, shimmering optical illusion—a visual glitch that makes the screen look like it is actively rippling or updating its own timeline in front of your eyes. By dropping these specific color palettes into the media landscape, THIS IS FICTIONS ensures that the establishment doesn't just speak your vocabulary—they are forced to look at the world through the exact visual parameters you have mixed for them. The TV screen itself becomes a fresh, bleeding canvas.