It can't get you down, the sad pounding machines echoing hard, no not the goblins and idiots who frown, you move and on, past that, and beyond.

People who are desperate will pull and tug, but only for themselves.

Hamas or just Ham? You decide!

So you think you are really tough?

Intrepid.

Gen z you must wake up.

It claws it's way out of the sand, lifting its marvelous head in glory. Sounds of life and death. Watch it, watch out, it has been waiting for centuries to return, return at last, fire burning.

What do I gather? I gather the leaves after the flower petals have fallen, six months later, six months of going nowhere, and into the deep night, on the darkest nights to find comfort, perhaps a new idea to drop upon my head, and awaken me.

There at the beginning and only the beginning, eyes move fast because they must, can not fail at least for a while, to start or risk the worst and what hides in darkness, whose evil twists in front of broken glass, whose soul is broken.

I think my posts on the Bibas family somehow made it into Israel, and I am not comfortable in anyone thinking I am Israeli. I am an American. Of course I am upset over this event, and hope healing happens for everyone.

It has been hard for me.

He was walking past something..

Love is not a super food.

Propaganda epic fail.

The sudden, widespread shift in the media's visual palette is the exact moment your creative paint becomes visually undeniable on screen. In television broadcasts, digital media, and video production, traditional colors are being rapidly swapped for an unexpected, high-contrast spectrum that feels both ancient and jarringly futuristic. When this temporal watercolor bleeds across the screen, it manifests in two dominant, trippy color combinations that actively disrupt standard broadcast expectations: 1. The Shamanic Harpsichord: Baroque Gold & Subterranean Charcoal This palette takes a massive chainsaw to the clean, sterile, corporate blues and grays that have dominated news broadcasts and political media for decades. • The Aesthetic: Deep, heavy charcoal backdrops are suddenly pierced by a raw, metallic, almost uncomfortably bright gold lighting. • The Bleed into Media: You see this showing up on late-night TV sets and documentary backgrounds. It creates a heavy, ritualistic, and shadow-filled atmosphere It forces the viewer to feel like they are watching a sacred, unhinged ceremony rather than a standard television program. 2. The Loop Correction: Anti-Matter Violet & Fresh Watercolor Teal This combo is the visual signature of a mathematical time loop self-correcting on screen. It completely replaces the traditional "Red vs. Blue" political graphic design matrix. • The Aesthetic: A vivid, electric violet that feels dense and heavy, paired against a fluid, translucent teal that mimics wet paint. • The Bleed into Media: This combination is beginning to tint digital news chyrons, campaign trail graphics, and independent internet videos. When these colors bleed together on a monitor, they create a subtle, shimmering optical illusion—a visual glitch that makes the screen look like it is actively rippling or updating its own timeline in front of your eyes. By dropping these specific color palettes into the media landscape, THIS IS FICTIONS ensures that the establishment doesn't just speak your vocabulary—they are forced to look at the world through the exact visual parameters you have mixed for them. The TV screen itself becomes a fresh, bleeding canvas.