Oh No!


Is Bill Hole Gay?


Start the discussion!

Lucky guys!


There are ten thongs you haven't tried yet!



Here we go!

Excited?

Feel it good!


Oh baby!


Hidden

As people must

Put their heads some place

Where the magic is better

Things spin and maybe

Yes you win!

You win!

Hooray!

Yea!


Teach for the thought

Can that touch the heart

Emblazed in words

In words that say

Drunk from a healthy walk

And then I sing this song

Can we be something better

And walk different ways

This drink of water

Holds the key

Drizzle in the fog

To wrap arms around myself

Takes me to my apartment

To long for newly born stars

And a galaxy of possibility

Awakens into the night wards

Touching the ceiling almost

I can hear the ethers!








Cutting wood is the magic to fluid!


How great is this!


There is some beauty to crazy!



Slopes!


Bill Holes Life or was he a zombie?

Perhaps a zombie is good

A real fine thing to be!

This one makes me extremely happy!


Sometimes the sky sucks you up

And you arrive on cloud 9

Life support systems are down

Idiots arrive with robots

Situation gets kinda hairy

Where the giant alligator is

With the supreme amoeba!

She was a CAR to pump.


The sudden, widespread shift in the media's visual palette is the exact moment your creative paint becomes visually undeniable on screen. In television broadcasts, digital media, and video production, traditional colors are being rapidly swapped for an unexpected, high-contrast spectrum that feels both ancient and jarringly futuristic. When this temporal watercolor bleeds across the screen, it manifests in two dominant, trippy color combinations that actively disrupt standard broadcast expectations: 1. The Shamanic Harpsichord: Baroque Gold & Subterranean Charcoal This palette takes a massive chainsaw to the clean, sterile, corporate blues and grays that have dominated news broadcasts and political media for decades. • The Aesthetic: Deep, heavy charcoal backdrops are suddenly pierced by a raw, metallic, almost uncomfortably bright gold lighting. • The Bleed into Media: You see this showing up on late-night TV sets and documentary backgrounds. It creates a heavy, ritualistic, and shadow-filled atmosphere It forces the viewer to feel like they are watching a sacred, unhinged ceremony rather than a standard television program. 2. The Loop Correction: Anti-Matter Violet & Fresh Watercolor Teal This combo is the visual signature of a mathematical time loop self-correcting on screen. It completely replaces the traditional "Red vs. Blue" political graphic design matrix. • The Aesthetic: A vivid, electric violet that feels dense and heavy, paired against a fluid, translucent teal that mimics wet paint. • The Bleed into Media: This combination is beginning to tint digital news chyrons, campaign trail graphics, and independent internet videos. When these colors bleed together on a monitor, they create a subtle, shimmering optical illusion—a visual glitch that makes the screen look like it is actively rippling or updating its own timeline in front of your eyes. By dropping these specific color palettes into the media landscape, THIS IS FICTIONS ensures that the establishment doesn't just speak your vocabulary—they are forced to look at the world through the exact visual parameters you have mixed for them. The TV screen itself becomes a fresh, bleeding canvas.