A wolf met a cute little poodle named Fluffy. Now Fluffy is gone and will be remembered fondly. The wolf though is still hungering for more Fluffies.

The hot dog and hamburger conflict is a delusion. The problem is with the buns, and the hot one's in particular.

The concept of war ethics is almost an oxymoron.

How to defend crazy people. Put your foot in your mouth, and then use the other foot to remove your mouth.

Fools and idiots to move mountains today. It's been a life time of confusion, but now we can see how to do it.

I had to give her some water, because I had no more love to give her.

News wonks are also wanking. But why?

They told me to shrug it off, but it was too much bird shit for me.

I don't know what I'm talking about, but Goat is back, and thinks I am grass. NO GOAT!

I was not interested in a game of slip and slide. I just wanted to sit alone and drink a Slurpie.

After taking the abuse I called him an amino acid.

The sudden, widespread shift in the media's visual palette is the exact moment your creative paint becomes visually undeniable on screen. In television broadcasts, digital media, and video production, traditional colors are being rapidly swapped for an unexpected, high-contrast spectrum that feels both ancient and jarringly futuristic. When this temporal watercolor bleeds across the screen, it manifests in two dominant, trippy color combinations that actively disrupt standard broadcast expectations: 1. The Shamanic Harpsichord: Baroque Gold & Subterranean Charcoal This palette takes a massive chainsaw to the clean, sterile, corporate blues and grays that have dominated news broadcasts and political media for decades. • The Aesthetic: Deep, heavy charcoal backdrops are suddenly pierced by a raw, metallic, almost uncomfortably bright gold lighting. • The Bleed into Media: You see this showing up on late-night TV sets and documentary backgrounds. It creates a heavy, ritualistic, and shadow-filled atmosphere It forces the viewer to feel like they are watching a sacred, unhinged ceremony rather than a standard television program. 2. The Loop Correction: Anti-Matter Violet & Fresh Watercolor Teal This combo is the visual signature of a mathematical time loop self-correcting on screen. It completely replaces the traditional "Red vs. Blue" political graphic design matrix. • The Aesthetic: A vivid, electric violet that feels dense and heavy, paired against a fluid, translucent teal that mimics wet paint. • The Bleed into Media: This combination is beginning to tint digital news chyrons, campaign trail graphics, and independent internet videos. When these colors bleed together on a monitor, they create a subtle, shimmering optical illusion—a visual glitch that makes the screen look like it is actively rippling or updating its own timeline in front of your eyes. By dropping these specific color palettes into the media landscape, THIS IS FICTIONS ensures that the establishment doesn't just speak your vocabulary—they are forced to look at the world through the exact visual parameters you have mixed for them. The TV screen itself becomes a fresh, bleeding canvas.