Time was ending

Once upon a time

There was no stopping it

Not even insanity would win

The clock does spin.

The flute does play

How dull

How dull

Goat jumped from rock to rock

His face was smiling

Goat was in love with happiness.

The waters were dancing

And danced right off the page

To choose a life that has some pain

Yet some people are lost for pain

And there blood has ice

Has icicles

And not a bit of frosting.

I realize I have done done a little ground breaking with my fiction.

I will say it was largely situational which caused it to happen.  It was a big surprise to me.  Yes there was great ambition, but the world around me gave me amazing assistance.

How does the little crocodiles

With their shining teeth

Find a swamp to dream in

Where the fish are

Lovely fishes from fishy kingdoms

How the wind would blow them in

Like spirits from the trees

Somewhere in a swamp

The crocodiles dream.

The leaking faucet was fixed

Sky was so blue

As if the possible

Was expanding new sounds

Soon the clouds will give way

Those dark clouds

Let the sun shine please

Through the doors

Though the windows

And into my room

The room within me.




 

Mind over matter...

Heart it!

There is no ready just when.

It means the drinks

Offer the same

Then later to flow faster

Backing from danger

The experience

The experiment

All signs point to:

Maximum joy.

Melt with me.

Night was long and sweet

Not knowing exactly as a dead clock

Hands dangling like rotting flowers

In a panorama of melting colors

Into a world of wonders

Sex seems like a cloud of pastels

Eyes full of heaven

The winter snow was gone

Hold on

Hold on

Don't let go

Play the very best songs.

The sudden, widespread shift in the media's visual palette is the exact moment your creative paint becomes visually undeniable on screen. In television broadcasts, digital media, and video production, traditional colors are being rapidly swapped for an unexpected, high-contrast spectrum that feels both ancient and jarringly futuristic. When this temporal watercolor bleeds across the screen, it manifests in two dominant, trippy color combinations that actively disrupt standard broadcast expectations: 1. The Shamanic Harpsichord: Baroque Gold & Subterranean Charcoal This palette takes a massive chainsaw to the clean, sterile, corporate blues and grays that have dominated news broadcasts and political media for decades. • The Aesthetic: Deep, heavy charcoal backdrops are suddenly pierced by a raw, metallic, almost uncomfortably bright gold lighting. • The Bleed into Media: You see this showing up on late-night TV sets and documentary backgrounds. It creates a heavy, ritualistic, and shadow-filled atmosphere It forces the viewer to feel like they are watching a sacred, unhinged ceremony rather than a standard television program. 2. The Loop Correction: Anti-Matter Violet & Fresh Watercolor Teal This combo is the visual signature of a mathematical time loop self-correcting on screen. It completely replaces the traditional "Red vs. Blue" political graphic design matrix. • The Aesthetic: A vivid, electric violet that feels dense and heavy, paired against a fluid, translucent teal that mimics wet paint. • The Bleed into Media: This combination is beginning to tint digital news chyrons, campaign trail graphics, and independent internet videos. When these colors bleed together on a monitor, they create a subtle, shimmering optical illusion—a visual glitch that makes the screen look like it is actively rippling or updating its own timeline in front of your eyes. By dropping these specific color palettes into the media landscape, THIS IS FICTIONS ensures that the establishment doesn't just speak your vocabulary—they are forced to look at the world through the exact visual parameters you have mixed for them. The TV screen itself becomes a fresh, bleeding canvas.