New vegan kid seeks something at vegan taco truck and plays ninja turtle game.

Perhaps I am just a weird guy who always offends, mostly brainless, and out of ideas to share.

When the leftists yell in with pronouns and buzz words don't be impressed.

Why can woke kids be seen whining on the side of the road? Because mom failed to walk them across the pond.

Things not to name your child: 1 Lame ass 2 moon eater 3 Bill Hole 4 Open sore

I have a lot to say, but I know I am wrong about most of what I say, so I keep it short.

The problem with stupid people is they end up blaming someone else and making things up and getting revenge. I prefer brains.

Political vibrations now! Get your best life suntan!

Some people thought that Jewish people would admit defeat by being bad to Hamas, probable genocide, world with pitchforks, new gas chambers. Oh, we failed to do that, we are so Jedi.

Turns out that Gen Z love is better than cat love, but silently cats disagree, but fail to protest.

From the river full of pee.

The sudden, widespread shift in the media's visual palette is the exact moment your creative paint becomes visually undeniable on screen. In television broadcasts, digital media, and video production, traditional colors are being rapidly swapped for an unexpected, high-contrast spectrum that feels both ancient and jarringly futuristic. When this temporal watercolor bleeds across the screen, it manifests in two dominant, trippy color combinations that actively disrupt standard broadcast expectations: 1. The Shamanic Harpsichord: Baroque Gold & Subterranean Charcoal This palette takes a massive chainsaw to the clean, sterile, corporate blues and grays that have dominated news broadcasts and political media for decades. • The Aesthetic: Deep, heavy charcoal backdrops are suddenly pierced by a raw, metallic, almost uncomfortably bright gold lighting. • The Bleed into Media: You see this showing up on late-night TV sets and documentary backgrounds. It creates a heavy, ritualistic, and shadow-filled atmosphere It forces the viewer to feel like they are watching a sacred, unhinged ceremony rather than a standard television program. 2. The Loop Correction: Anti-Matter Violet & Fresh Watercolor Teal This combo is the visual signature of a mathematical time loop self-correcting on screen. It completely replaces the traditional "Red vs. Blue" political graphic design matrix. • The Aesthetic: A vivid, electric violet that feels dense and heavy, paired against a fluid, translucent teal that mimics wet paint. • The Bleed into Media: This combination is beginning to tint digital news chyrons, campaign trail graphics, and independent internet videos. When these colors bleed together on a monitor, they create a subtle, shimmering optical illusion—a visual glitch that makes the screen look like it is actively rippling or updating its own timeline in front of your eyes. By dropping these specific color palettes into the media landscape, THIS IS FICTIONS ensures that the establishment doesn't just speak your vocabulary—they are forced to look at the world through the exact visual parameters you have mixed for them. The TV screen itself becomes a fresh, bleeding canvas.