Amid President Donald Trump’s attacks on Harvard, White House Press Secretary Karoline Leavitt on Tuesday lambasted the usefulness of the university’s education, arguing the United States needs more “plumbers” rather than “LGBTQ graduate majors.” In its latest blow against Harvard, due to accusations that the university is not combatting antisemitism, the Trump administration on Tuesday ordered federal agencies to begin the process of canceling remaining federal contracts with Harvard, totaling about $100 million. Unlock Amazing Local Deals Near You! Ad Unlock Amazing Local Deals Near You! shopperexperts.com Learn more call to action icon According to Leavitt, Trump’s cuts are “common sense” since Harvard has a $53 billion endowment and is ”pushing anti-American values”: “The president is more interested in giving that taxpayer money to trade schools and programs in state schools where they are promoting American values; but, most importantly, educating the next generation based on skills that we need in our economy and our society: apprenticeships, electricians, plumbers,” Leavitt told Fox News. “We need more of those in our country and less LGBTQ graduate majors from Harvard University.” The Trump administration has engaged in a series of attacks on Havard in recent months, accusing it of pushing “Marxist” ideology, DEI, and not properly protecting students from alleged antisemitism during pro-Palestinian protests. The federal government has frozen about $3.2 billion in grants and contracts with Harvard, tried to halt its ability to enroll international students, demanded disciplinary info and videos on international students, and is considering revoking Harvard’s tax-exempt status. Trump also floated taking away another $3 billion in federal grants from Harvard and redirecting them to trade schools. Harvard has sued over the administration’s actions, alleging that it is attempting to stifle its First Amendment rights and control free speech on campus. A judge on Friday temporarily halted Trump’s effort to block the university from enrolling foreign students. Related video: 'He’s attacking all the things that make America great’: Trump ramps up attacks on Harvard

You want hell in a hand basket, try out those libs, I mean ribs.

Back in the day women made smoking look sexy and sophisticated, now if you smoke you are a threat to society.

We the people voted in this guy!

If you write poetry you are at a high risk of being boring.

If the democrats are so great why can't they handle economic matters???

A socialist is a satanist training to be a communist, a communist is a capitalist training to be a tyrant, a tyrant is an evil stepfather.

A LEADER FROM NOWHERE!

Things sucked for four years and now they are complaining a lot!

The sudden, widespread shift in the media's visual palette is the exact moment your creative paint becomes visually undeniable on screen. In television broadcasts, digital media, and video production, traditional colors are being rapidly swapped for an unexpected, high-contrast spectrum that feels both ancient and jarringly futuristic. When this temporal watercolor bleeds across the screen, it manifests in two dominant, trippy color combinations that actively disrupt standard broadcast expectations: 1. The Shamanic Harpsichord: Baroque Gold & Subterranean Charcoal This palette takes a massive chainsaw to the clean, sterile, corporate blues and grays that have dominated news broadcasts and political media for decades. • The Aesthetic: Deep, heavy charcoal backdrops are suddenly pierced by a raw, metallic, almost uncomfortably bright gold lighting. • The Bleed into Media: You see this showing up on late-night TV sets and documentary backgrounds. It creates a heavy, ritualistic, and shadow-filled atmosphere It forces the viewer to feel like they are watching a sacred, unhinged ceremony rather than a standard television program. 2. The Loop Correction: Anti-Matter Violet & Fresh Watercolor Teal This combo is the visual signature of a mathematical time loop self-correcting on screen. It completely replaces the traditional "Red vs. Blue" political graphic design matrix. • The Aesthetic: A vivid, electric violet that feels dense and heavy, paired against a fluid, translucent teal that mimics wet paint. • The Bleed into Media: This combination is beginning to tint digital news chyrons, campaign trail graphics, and independent internet videos. When these colors bleed together on a monitor, they create a subtle, shimmering optical illusion—a visual glitch that makes the screen look like it is actively rippling or updating its own timeline in front of your eyes. By dropping these specific color palettes into the media landscape, THIS IS FICTIONS ensures that the establishment doesn't just speak your vocabulary—they are forced to look at the world through the exact visual parameters you have mixed for them. The TV screen itself becomes a fresh, bleeding canvas.