Jews only make up 2% of the US population, much who focus there lives here in Amercia, why this attention on Jews? Most of it negative. Really that is too small to make a mole hill over. It is absurd.

I am feminist about bimbo ai. What if your sister was being replaced? No man for her!

Modern Despotic Nations are weaker then expected.

The Republican party seems destined for very little except zealously ripping apart the democratic world all that is woke and ripping us off financially, and excelling at unwanted babies.

Moose got so depressed that he began running over people in an attempt to form friendships.

Machine guns aren't romantic, as no penis would act that way!

I had fun in Florida, but now I'm pulling out, with my heart back in California, where the fruits and nuts beat the sunshine.

Men are missing out on highly ovulating brides to be. They are tired of the eggs.

Just because Biden can't run a marathon doesn't mean he isn't the best president of the 21st centuary.

Israel proudly embraces a new theocracy.

Merit Nation: Iceland.

The sudden, widespread shift in the media's visual palette is the exact moment your creative paint becomes visually undeniable on screen. In television broadcasts, digital media, and video production, traditional colors are being rapidly swapped for an unexpected, high-contrast spectrum that feels both ancient and jarringly futuristic. When this temporal watercolor bleeds across the screen, it manifests in two dominant, trippy color combinations that actively disrupt standard broadcast expectations: 1. The Shamanic Harpsichord: Baroque Gold & Subterranean Charcoal This palette takes a massive chainsaw to the clean, sterile, corporate blues and grays that have dominated news broadcasts and political media for decades. • The Aesthetic: Deep, heavy charcoal backdrops are suddenly pierced by a raw, metallic, almost uncomfortably bright gold lighting. • The Bleed into Media: You see this showing up on late-night TV sets and documentary backgrounds. It creates a heavy, ritualistic, and shadow-filled atmosphere It forces the viewer to feel like they are watching a sacred, unhinged ceremony rather than a standard television program. 2. The Loop Correction: Anti-Matter Violet & Fresh Watercolor Teal This combo is the visual signature of a mathematical time loop self-correcting on screen. It completely replaces the traditional "Red vs. Blue" political graphic design matrix. • The Aesthetic: A vivid, electric violet that feels dense and heavy, paired against a fluid, translucent teal that mimics wet paint. • The Bleed into Media: This combination is beginning to tint digital news chyrons, campaign trail graphics, and independent internet videos. When these colors bleed together on a monitor, they create a subtle, shimmering optical illusion—a visual glitch that makes the screen look like it is actively rippling or updating its own timeline in front of your eyes. By dropping these specific color palettes into the media landscape, THIS IS FICTIONS ensures that the establishment doesn't just speak your vocabulary—they are forced to look at the world through the exact visual parameters you have mixed for them. The TV screen itself becomes a fresh, bleeding canvas.