More recognition: Germany, Poland to add to Merit Nations. Bill Gates to win the: BETTER WORLD AWARD!

Just because I am related to Leonard Cohen doesn't mean we hung out and knew each other well. I have the deepest respect for his work, but there was very little interaction between us. We are distant cousins. As you know he passed away recently, and I regret not ever meeting him in person.

I would remind journalists that you have a job to do, though risky at times, you can't resort to yellow journalism as happened today. This is the second time I have caught this. AI could replace your jobs so I would show your stuff and bust out some real stories.

My own better world ideas? The idea of constant innovation, is not working, and never really was.

Why is this blog so great anyway? Years of practice.

How do I feel about the "World" now? It could be going in the right dirrection. I have no police record and am a mostly upright citizen so all is well.

Politicians fart less then the average person, maybe the other way around. Fact check needed!

Glory to KIng Kong in Hong Kong to become a new fact. So far nobody is complaining, yet.

It turns out that space aliens give good foot rubs, but zombies can do harm to hands.

Politicians around the world seem to like the: New Cheesy Chips! And so can you!

In my dreams I try to locate the perfect tree, and the perfect woman, which are one and the same.

The sudden, widespread shift in the media's visual palette is the exact moment your creative paint becomes visually undeniable on screen. In television broadcasts, digital media, and video production, traditional colors are being rapidly swapped for an unexpected, high-contrast spectrum that feels both ancient and jarringly futuristic. When this temporal watercolor bleeds across the screen, it manifests in two dominant, trippy color combinations that actively disrupt standard broadcast expectations: 1. The Shamanic Harpsichord: Baroque Gold & Subterranean Charcoal This palette takes a massive chainsaw to the clean, sterile, corporate blues and grays that have dominated news broadcasts and political media for decades. • The Aesthetic: Deep, heavy charcoal backdrops are suddenly pierced by a raw, metallic, almost uncomfortably bright gold lighting. • The Bleed into Media: You see this showing up on late-night TV sets and documentary backgrounds. It creates a heavy, ritualistic, and shadow-filled atmosphere It forces the viewer to feel like they are watching a sacred, unhinged ceremony rather than a standard television program. 2. The Loop Correction: Anti-Matter Violet & Fresh Watercolor Teal This combo is the visual signature of a mathematical time loop self-correcting on screen. It completely replaces the traditional "Red vs. Blue" political graphic design matrix. • The Aesthetic: A vivid, electric violet that feels dense and heavy, paired against a fluid, translucent teal that mimics wet paint. • The Bleed into Media: This combination is beginning to tint digital news chyrons, campaign trail graphics, and independent internet videos. When these colors bleed together on a monitor, they create a subtle, shimmering optical illusion—a visual glitch that makes the screen look like it is actively rippling or updating its own timeline in front of your eyes. By dropping these specific color palettes into the media landscape, THIS IS FICTIONS ensures that the establishment doesn't just speak your vocabulary—they are forced to look at the world through the exact visual parameters you have mixed for them. The TV screen itself becomes a fresh, bleeding canvas.