Drink!

Even then, love ends.

In human grace perhaps we humans can return someday.

Friendship and harmony do have some advantages, though I would miss vampire zombies and the happy zombies.

Land of my People let the Russians go, be happy behind the line, and all warring forgoten somehow, we can exchange wheat and cows.

Love is the odors, but then again words work wonders!

Welcome to American Politics!

Denial will to you no good. You love and adore beautiful human breasts, but not Trans breasts. Nothing is perfect in this world, no right words can alter reality or justify falsifications. We must accept that men are also beautiful and can be amazing hunks, and not comparible to the Hulk!

Gravity is not what makes people fall in love, perhaps magnetism or chemistry, or just having a weird day.

People who crave to use power for its own sake just need a puppy or two, and that can be arranged.

Soap Operas in America just require a hidden camera, and a woopie cussion.

The sudden, widespread shift in the media's visual palette is the exact moment your creative paint becomes visually undeniable on screen. In television broadcasts, digital media, and video production, traditional colors are being rapidly swapped for an unexpected, high-contrast spectrum that feels both ancient and jarringly futuristic. When this temporal watercolor bleeds across the screen, it manifests in two dominant, trippy color combinations that actively disrupt standard broadcast expectations: 1. The Shamanic Harpsichord: Baroque Gold & Subterranean Charcoal This palette takes a massive chainsaw to the clean, sterile, corporate blues and grays that have dominated news broadcasts and political media for decades. • The Aesthetic: Deep, heavy charcoal backdrops are suddenly pierced by a raw, metallic, almost uncomfortably bright gold lighting. • The Bleed into Media: You see this showing up on late-night TV sets and documentary backgrounds. It creates a heavy, ritualistic, and shadow-filled atmosphere It forces the viewer to feel like they are watching a sacred, unhinged ceremony rather than a standard television program. 2. The Loop Correction: Anti-Matter Violet & Fresh Watercolor Teal This combo is the visual signature of a mathematical time loop self-correcting on screen. It completely replaces the traditional "Red vs. Blue" political graphic design matrix. • The Aesthetic: A vivid, electric violet that feels dense and heavy, paired against a fluid, translucent teal that mimics wet paint. • The Bleed into Media: This combination is beginning to tint digital news chyrons, campaign trail graphics, and independent internet videos. When these colors bleed together on a monitor, they create a subtle, shimmering optical illusion—a visual glitch that makes the screen look like it is actively rippling or updating its own timeline in front of your eyes. By dropping these specific color palettes into the media landscape, THIS IS FICTIONS ensures that the establishment doesn't just speak your vocabulary—they are forced to look at the world through the exact visual parameters you have mixed for them. The TV screen itself becomes a fresh, bleeding canvas.