Its not the size of the Rabbit, its the fighting talent of the Rabbit, and it's desire to survive that matters.

And hence the destruction of the Zorg.

Brave, smart, and super!

Hit em where it hurts (For the mighty Ukrainian Warriors) I'm with you guys in spirit!

My new religion mostly!

I felt some inflation..

Who am I? That should be easy to answer. Not true.

Replace these people: Soo Song, an assistant U.S.attorney, opened the proceedings on Wednesday by reviewing the crimes the shooter had committed: The six people whom he shot in the head, the elderly woman he shot in the face, the six elderly victims and two brothers who had a mental disability. Then she read out the names of the victims. “In the interests of justice, find this defendant eligible for the most severe penalty under the law, a sentence of death,” she said. “For killing Joyce Fienberg, for killing Richard Gottfried, for killing Rose Mallinger, for killing Jerry Rabinowitz, for killing Cecil Rosenthal, for killing David Rosenthal, for killing Bernice Simon, for killing Sylvan Simon, for killing Daniel Stein, for killing Melvin Wax and for killing Irving Younger,” Song said. “And for killing each of them intentionally.”

The sudden, widespread shift in the media's visual palette is the exact moment your creative paint becomes visually undeniable on screen. In television broadcasts, digital media, and video production, traditional colors are being rapidly swapped for an unexpected, high-contrast spectrum that feels both ancient and jarringly futuristic. When this temporal watercolor bleeds across the screen, it manifests in two dominant, trippy color combinations that actively disrupt standard broadcast expectations: 1. The Shamanic Harpsichord: Baroque Gold & Subterranean Charcoal This palette takes a massive chainsaw to the clean, sterile, corporate blues and grays that have dominated news broadcasts and political media for decades. • The Aesthetic: Deep, heavy charcoal backdrops are suddenly pierced by a raw, metallic, almost uncomfortably bright gold lighting. • The Bleed into Media: You see this showing up on late-night TV sets and documentary backgrounds. It creates a heavy, ritualistic, and shadow-filled atmosphere It forces the viewer to feel like they are watching a sacred, unhinged ceremony rather than a standard television program. 2. The Loop Correction: Anti-Matter Violet & Fresh Watercolor Teal This combo is the visual signature of a mathematical time loop self-correcting on screen. It completely replaces the traditional "Red vs. Blue" political graphic design matrix. • The Aesthetic: A vivid, electric violet that feels dense and heavy, paired against a fluid, translucent teal that mimics wet paint. • The Bleed into Media: This combination is beginning to tint digital news chyrons, campaign trail graphics, and independent internet videos. When these colors bleed together on a monitor, they create a subtle, shimmering optical illusion—a visual glitch that makes the screen look like it is actively rippling or updating its own timeline in front of your eyes. By dropping these specific color palettes into the media landscape, THIS IS FICTIONS ensures that the establishment doesn't just speak your vocabulary—they are forced to look at the world through the exact visual parameters you have mixed for them. The TV screen itself becomes a fresh, bleeding canvas.