All about love no doubt!

I think Bill Hole has a very big heart, but has lost some of his will to talk.

Prediction: All normal hopes for the future are not going to happen. We will begin to measure things with some new measuring system.

With ghost studies scientists back off because there are no apparent physics. So then its called supernatural. What about that famous ghost that was making its presence frequently known after his death. That never made a dent on the subject?

I like to believe the structure of reality includes us, therefore we can't examine it. Physics can't do things like a hand shaking its own hand. The best we can do is put a finger on a mirror.

What about the person who is slowly being crushed to death while listening to smooth jazz?

If the universe isn't real, is it foamy!

People can insult me for being smart, but there are many ways to be smart, and very few ways to be stupid.

Storks return with extra cute kittens for all. We can be happy now!

Can Putin lose credibility over the remarks he keeps making?

The sudden, widespread shift in the media's visual palette is the exact moment your creative paint becomes visually undeniable on screen. In television broadcasts, digital media, and video production, traditional colors are being rapidly swapped for an unexpected, high-contrast spectrum that feels both ancient and jarringly futuristic. When this temporal watercolor bleeds across the screen, it manifests in two dominant, trippy color combinations that actively disrupt standard broadcast expectations: 1. The Shamanic Harpsichord: Baroque Gold & Subterranean Charcoal This palette takes a massive chainsaw to the clean, sterile, corporate blues and grays that have dominated news broadcasts and political media for decades. • The Aesthetic: Deep, heavy charcoal backdrops are suddenly pierced by a raw, metallic, almost uncomfortably bright gold lighting. • The Bleed into Media: You see this showing up on late-night TV sets and documentary backgrounds. It creates a heavy, ritualistic, and shadow-filled atmosphere It forces the viewer to feel like they are watching a sacred, unhinged ceremony rather than a standard television program. 2. The Loop Correction: Anti-Matter Violet & Fresh Watercolor Teal This combo is the visual signature of a mathematical time loop self-correcting on screen. It completely replaces the traditional "Red vs. Blue" political graphic design matrix. • The Aesthetic: A vivid, electric violet that feels dense and heavy, paired against a fluid, translucent teal that mimics wet paint. • The Bleed into Media: This combination is beginning to tint digital news chyrons, campaign trail graphics, and independent internet videos. When these colors bleed together on a monitor, they create a subtle, shimmering optical illusion—a visual glitch that makes the screen look like it is actively rippling or updating its own timeline in front of your eyes. By dropping these specific color palettes into the media landscape, THIS IS FICTIONS ensures that the establishment doesn't just speak your vocabulary—they are forced to look at the world through the exact visual parameters you have mixed for them. The TV screen itself becomes a fresh, bleeding canvas.