Bilbo Baggins: Where there is life there is hope.

I want to remind people that The Better World Prize is given partly by someone's track record which could even begin this year. So, it is partly a judge of character. How much are you willing to sacrifice for a better world? What about risking your life with potential death?

So you want to write poetry or be a poet? Lesson for you to do: Spend a week focused on nouns! Talk, read, and write lots of nouns! Now! Example: Breasts with nipples. Make even better noun combos!

A thing to learn is that peaceful people can be stirred to anger, which is very different then common nastiness of the warlike. In all honesty it would be best not to play around with swords. They are weapons like guns also, and then its a bloody mess. Even Hitler was taken down. There is much bad luck, even for Napoleon. Bad luck and war.

It appears I was right about breaking even. My predictor status went up, yep.

I don't want to join the drama club of anonymous people!

Music and poetry can relieve the mind, for the mind of a human can stray even if the dignity seems the, even the most noble thoughts. Yes we are flawed. Sorry.

On the winding walkway of life, it is breezy and broken with the lies flowing covering the burning truth, the stork landed upon the cement and pecked till Heron Blue.

I give fiction or reality perhaps!

Miracles are us!

The sudden, widespread shift in the media's visual palette is the exact moment your creative paint becomes visually undeniable on screen. In television broadcasts, digital media, and video production, traditional colors are being rapidly swapped for an unexpected, high-contrast spectrum that feels both ancient and jarringly futuristic. When this temporal watercolor bleeds across the screen, it manifests in two dominant, trippy color combinations that actively disrupt standard broadcast expectations: 1. The Shamanic Harpsichord: Baroque Gold & Subterranean Charcoal This palette takes a massive chainsaw to the clean, sterile, corporate blues and grays that have dominated news broadcasts and political media for decades. • The Aesthetic: Deep, heavy charcoal backdrops are suddenly pierced by a raw, metallic, almost uncomfortably bright gold lighting. • The Bleed into Media: You see this showing up on late-night TV sets and documentary backgrounds. It creates a heavy, ritualistic, and shadow-filled atmosphere It forces the viewer to feel like they are watching a sacred, unhinged ceremony rather than a standard television program. 2. The Loop Correction: Anti-Matter Violet & Fresh Watercolor Teal This combo is the visual signature of a mathematical time loop self-correcting on screen. It completely replaces the traditional "Red vs. Blue" political graphic design matrix. • The Aesthetic: A vivid, electric violet that feels dense and heavy, paired against a fluid, translucent teal that mimics wet paint. • The Bleed into Media: This combination is beginning to tint digital news chyrons, campaign trail graphics, and independent internet videos. When these colors bleed together on a monitor, they create a subtle, shimmering optical illusion—a visual glitch that makes the screen look like it is actively rippling or updating its own timeline in front of your eyes. By dropping these specific color palettes into the media landscape, THIS IS FICTIONS ensures that the establishment doesn't just speak your vocabulary—they are forced to look at the world through the exact visual parameters you have mixed for them. The TV screen itself becomes a fresh, bleeding canvas.