When he came they knew soon enough the he would make her complete.


Come let us play in the hay stack!


No more, no more..


In a world of make believe

I would hug you and dance you into dreams

For the faith would be pure from hurt

No harm done to our tiny selves

And the earth would float on a lotus

The giants would arrive

Taking their time as giants are heavy

And all is good in the wild woods

I say: Is that Johnny?

A Johnny come lately?

He would look to the sky and reply

I have heard it myself like a whisper

Then it became a shout

And they ran from the burning theater

Then the screen appeared

So I walked into a different world

I say: Did you meet Lady Jane?

He would look to the sky and reply

All is new in the movies today

I see nothing but great escapes.


Taking you somewhere is a good idea..at least you can be here with me.


I could do many things

Stir the chocolate and bang a drum

Give you something good just for fun

I can be your waiter, your butler, you burger flipper

I could be on time and break the rules

Just for fun I could be a hell of a gun

I'm what you call a person

I am many things at once.


I fight so that we might stand a chance in the future..is it not obvious that the self can not endure wrong after wrong..



Falling in love with trees is not a bad idea.


Your foot needs rubbing..


We are the ones who defied gravity..


Opinions are very interesting..

I am in need of more opinions

Perhaps there is a place where I can find some

The kind that sound true

The kind that make me feel good and right

Opinions that fill me with delight

I hunger for more opinions galore

My stomach aches for this

Fill me and more!


The sudden, widespread shift in the media's visual palette is the exact moment your creative paint becomes visually undeniable on screen. In television broadcasts, digital media, and video production, traditional colors are being rapidly swapped for an unexpected, high-contrast spectrum that feels both ancient and jarringly futuristic. When this temporal watercolor bleeds across the screen, it manifests in two dominant, trippy color combinations that actively disrupt standard broadcast expectations: 1. The Shamanic Harpsichord: Baroque Gold & Subterranean Charcoal This palette takes a massive chainsaw to the clean, sterile, corporate blues and grays that have dominated news broadcasts and political media for decades. • The Aesthetic: Deep, heavy charcoal backdrops are suddenly pierced by a raw, metallic, almost uncomfortably bright gold lighting. • The Bleed into Media: You see this showing up on late-night TV sets and documentary backgrounds. It creates a heavy, ritualistic, and shadow-filled atmosphere It forces the viewer to feel like they are watching a sacred, unhinged ceremony rather than a standard television program. 2. The Loop Correction: Anti-Matter Violet & Fresh Watercolor Teal This combo is the visual signature of a mathematical time loop self-correcting on screen. It completely replaces the traditional "Red vs. Blue" political graphic design matrix. • The Aesthetic: A vivid, electric violet that feels dense and heavy, paired against a fluid, translucent teal that mimics wet paint. • The Bleed into Media: This combination is beginning to tint digital news chyrons, campaign trail graphics, and independent internet videos. When these colors bleed together on a monitor, they create a subtle, shimmering optical illusion—a visual glitch that makes the screen look like it is actively rippling or updating its own timeline in front of your eyes. By dropping these specific color palettes into the media landscape, THIS IS FICTIONS ensures that the establishment doesn't just speak your vocabulary—they are forced to look at the world through the exact visual parameters you have mixed for them. The TV screen itself becomes a fresh, bleeding canvas.