Feelings, just feelings.


She is like no other, Bill, Bill are you there Bill!


As zombie nose tried to smell, the tree lurched forward with a craned neck and red eyes: Suddenly Bill Hole remembered a Phil Collins song!


Change your mind rather than be right everytime.


Even more friendly and exciting than simply trolling people!


Very early memory as a baby!

Yes I love splashing in the bath

The was this plastic thing on the side with

Spinning stuff and things to press

But my mom would never know

About my love for my rubber ducky

It really was the one

The one I loved

Like no other..


Just two months ago I shared this

With mom

Leaving out the rubber ducky

But she remembered..

She knew all about it!

I was really angry

I yelled to my mom:

You weren't supposed to know about that!

(I am not making this up, ask my mom)

 

After watching enough cat videos I wonder how cats can even be?

They seem to break rules that we just know to be true with any animal.

Stay in the sun while its shining.


I could dance and sing


though dark eyes were


there


Doing there sting


You thought is was fine


to enjoy life


until it was


not okay


You are not one of us


was the song returned


For your pleasure


You should be


punished


And that makes perfect


sense.



Take a step back..


We have a real problem: Us.

A wo(man) runs on a cement path every morning, yea..


Then one day a rock is tripped on that was not ever there!


The person begins to cuss loudly at the inanimate object!


WTF!



The sudden, widespread shift in the media's visual palette is the exact moment your creative paint becomes visually undeniable on screen. In television broadcasts, digital media, and video production, traditional colors are being rapidly swapped for an unexpected, high-contrast spectrum that feels both ancient and jarringly futuristic. When this temporal watercolor bleeds across the screen, it manifests in two dominant, trippy color combinations that actively disrupt standard broadcast expectations: 1. The Shamanic Harpsichord: Baroque Gold & Subterranean Charcoal This palette takes a massive chainsaw to the clean, sterile, corporate blues and grays that have dominated news broadcasts and political media for decades. • The Aesthetic: Deep, heavy charcoal backdrops are suddenly pierced by a raw, metallic, almost uncomfortably bright gold lighting. • The Bleed into Media: You see this showing up on late-night TV sets and documentary backgrounds. It creates a heavy, ritualistic, and shadow-filled atmosphere It forces the viewer to feel like they are watching a sacred, unhinged ceremony rather than a standard television program. 2. The Loop Correction: Anti-Matter Violet & Fresh Watercolor Teal This combo is the visual signature of a mathematical time loop self-correcting on screen. It completely replaces the traditional "Red vs. Blue" political graphic design matrix. • The Aesthetic: A vivid, electric violet that feels dense and heavy, paired against a fluid, translucent teal that mimics wet paint. • The Bleed into Media: This combination is beginning to tint digital news chyrons, campaign trail graphics, and independent internet videos. When these colors bleed together on a monitor, they create a subtle, shimmering optical illusion—a visual glitch that makes the screen look like it is actively rippling or updating its own timeline in front of your eyes. By dropping these specific color palettes into the media landscape, THIS IS FICTIONS ensures that the establishment doesn't just speak your vocabulary—they are forced to look at the world through the exact visual parameters you have mixed for them. The TV screen itself becomes a fresh, bleeding canvas.