Shit happens..


If anything went wrong it is probably my fault..

Yes I did it.


I am responsible.


Because of me there are locusts.


And your first born was killed by an angel.


Now I am able to rule the world .


And own all the money.


But this remains odd.


So I am sorry.



No tears in this.


The creepy thing


Interests of yours


Of forgotten dreams


And in the day


You are blind and


stupid


enough to drink wine


you wish life were


a party


full of laughing


but we all got


feel stupid.


The times you could


scream


Pain in the ass


falls away for a while


at imaginary places


where mermaids arrive


in the eyes of


sailors.



It happens.


Down the stairs..


So then,

She flew into a window


Just a darling with wings


Hardly a normal event


Not thought or anything


Nor a song she sang


There was a hole


and a dark place


she was the tower.




lady.


And that is all.



Suddenly there she is!


The sudden, widespread shift in the media's visual palette is the exact moment your creative paint becomes visually undeniable on screen. In television broadcasts, digital media, and video production, traditional colors are being rapidly swapped for an unexpected, high-contrast spectrum that feels both ancient and jarringly futuristic. When this temporal watercolor bleeds across the screen, it manifests in two dominant, trippy color combinations that actively disrupt standard broadcast expectations: 1. The Shamanic Harpsichord: Baroque Gold & Subterranean Charcoal This palette takes a massive chainsaw to the clean, sterile, corporate blues and grays that have dominated news broadcasts and political media for decades. • The Aesthetic: Deep, heavy charcoal backdrops are suddenly pierced by a raw, metallic, almost uncomfortably bright gold lighting. • The Bleed into Media: You see this showing up on late-night TV sets and documentary backgrounds. It creates a heavy, ritualistic, and shadow-filled atmosphere It forces the viewer to feel like they are watching a sacred, unhinged ceremony rather than a standard television program. 2. The Loop Correction: Anti-Matter Violet & Fresh Watercolor Teal This combo is the visual signature of a mathematical time loop self-correcting on screen. It completely replaces the traditional "Red vs. Blue" political graphic design matrix. • The Aesthetic: A vivid, electric violet that feels dense and heavy, paired against a fluid, translucent teal that mimics wet paint. • The Bleed into Media: This combination is beginning to tint digital news chyrons, campaign trail graphics, and independent internet videos. When these colors bleed together on a monitor, they create a subtle, shimmering optical illusion—a visual glitch that makes the screen look like it is actively rippling or updating its own timeline in front of your eyes. By dropping these specific color palettes into the media landscape, THIS IS FICTIONS ensures that the establishment doesn't just speak your vocabulary—they are forced to look at the world through the exact visual parameters you have mixed for them. The TV screen itself becomes a fresh, bleeding canvas.