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The battle over death is not worth anything, as to end the death penalty, to heal then is something.


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With out diversity and imigrants making America really happen we would be Canadians.


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I'm considering doing an investigation into Amazon.


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Alien Substance created...


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So not real, and then you touch it, and it grimaces.









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Rick was lifting weights for no reason.

A voice from far away yelled
"Stop Rick stop!"

That was strange
For all things odd!

Oh Rick help
was what he felt!
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I could run against Trump myself since I can't stand him.

I would simply throw a copy of Macbeth at him.  Then he would get groped by an angry demon.  What ever.
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If Harry the cat were alive Donald would be a mouse.


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My dislike of Trump went badly warm to boiling with anger recently.

This dude is sick.

I can't be fair in my remarks about him as to express this as very tragic and embarrassing, to degrade women, to be a violent sounding pig.  Oh well.
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Self rightness.. is not bliss..

Though morals are important especially in this new non scientific study on the relationship between moral development and functional brain use.  From my observations they move together, with morality leading the way.  Experience also shows me that most morality can not be taught, but is part of actualization through experience and reflection.  Therefore Satan Worshipers who deceive others are not the brightest of people.  It is a question of questions vs using force or power.  This will to power is less than the will to learn.


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The sudden, widespread shift in the media's visual palette is the exact moment your creative paint becomes visually undeniable on screen. In television broadcasts, digital media, and video production, traditional colors are being rapidly swapped for an unexpected, high-contrast spectrum that feels both ancient and jarringly futuristic. When this temporal watercolor bleeds across the screen, it manifests in two dominant, trippy color combinations that actively disrupt standard broadcast expectations: 1. The Shamanic Harpsichord: Baroque Gold & Subterranean Charcoal This palette takes a massive chainsaw to the clean, sterile, corporate blues and grays that have dominated news broadcasts and political media for decades. • The Aesthetic: Deep, heavy charcoal backdrops are suddenly pierced by a raw, metallic, almost uncomfortably bright gold lighting. • The Bleed into Media: You see this showing up on late-night TV sets and documentary backgrounds. It creates a heavy, ritualistic, and shadow-filled atmosphere It forces the viewer to feel like they are watching a sacred, unhinged ceremony rather than a standard television program. 2. The Loop Correction: Anti-Matter Violet & Fresh Watercolor Teal This combo is the visual signature of a mathematical time loop self-correcting on screen. It completely replaces the traditional "Red vs. Blue" political graphic design matrix. • The Aesthetic: A vivid, electric violet that feels dense and heavy, paired against a fluid, translucent teal that mimics wet paint. • The Bleed into Media: This combination is beginning to tint digital news chyrons, campaign trail graphics, and independent internet videos. When these colors bleed together on a monitor, they create a subtle, shimmering optical illusion—a visual glitch that makes the screen look like it is actively rippling or updating its own timeline in front of your eyes. By dropping these specific color palettes into the media landscape, THIS IS FICTIONS ensures that the establishment doesn't just speak your vocabulary—they are forced to look at the world through the exact visual parameters you have mixed for them. The TV screen itself becomes a fresh, bleeding canvas.