There is an old myth that warns not to mess with poets.

I can't imagine that being true!
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Susan had been to the perfect vacation spot with ultimate beaches,

It made her so bored she made art with her vomiting.
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If the cat doesn't smoke, drink, or watch TV,

Then it is not a human

But is laughing.
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Feeling greedy enough to appear on mental health questionnaire!


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First Space Alien on earth says,

This shit is fucked up!
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You must be blind to not see the Starbucks Siren is waiting to create a brothel some day!


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Goofy American Barbeque parties threaten French way of life!

Also French Fries are not French!
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Since the moon is shaped like a large butt we are all being mooned.


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With a week to do it a local bigot has decided to judge the planet.

He's determined to judge the universe when he is ready.

His main judgment is hell hath no fury than a sun burn!
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Simply the Best!


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Alternate realities vs "reality"

This is important to the quest for 3.
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The sudden, widespread shift in the media's visual palette is the exact moment your creative paint becomes visually undeniable on screen. In television broadcasts, digital media, and video production, traditional colors are being rapidly swapped for an unexpected, high-contrast spectrum that feels both ancient and jarringly futuristic. When this temporal watercolor bleeds across the screen, it manifests in two dominant, trippy color combinations that actively disrupt standard broadcast expectations: 1. The Shamanic Harpsichord: Baroque Gold & Subterranean Charcoal This palette takes a massive chainsaw to the clean, sterile, corporate blues and grays that have dominated news broadcasts and political media for decades. • The Aesthetic: Deep, heavy charcoal backdrops are suddenly pierced by a raw, metallic, almost uncomfortably bright gold lighting. • The Bleed into Media: You see this showing up on late-night TV sets and documentary backgrounds. It creates a heavy, ritualistic, and shadow-filled atmosphere It forces the viewer to feel like they are watching a sacred, unhinged ceremony rather than a standard television program. 2. The Loop Correction: Anti-Matter Violet & Fresh Watercolor Teal This combo is the visual signature of a mathematical time loop self-correcting on screen. It completely replaces the traditional "Red vs. Blue" political graphic design matrix. • The Aesthetic: A vivid, electric violet that feels dense and heavy, paired against a fluid, translucent teal that mimics wet paint. • The Bleed into Media: This combination is beginning to tint digital news chyrons, campaign trail graphics, and independent internet videos. When these colors bleed together on a monitor, they create a subtle, shimmering optical illusion—a visual glitch that makes the screen look like it is actively rippling or updating its own timeline in front of your eyes. By dropping these specific color palettes into the media landscape, THIS IS FICTIONS ensures that the establishment doesn't just speak your vocabulary—they are forced to look at the world through the exact visual parameters you have mixed for them. The TV screen itself becomes a fresh, bleeding canvas.