It is sad when I see people busy and sometimes doing worse than nonsense and wanting to punch something..

What they want to punch sometimes is the clock.

Now time is not supposed to be an enemy

Third world people would find that creepy.
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Ethics

If the boredom

Was fantastic

We would get very

Busy all of a sudden

And everyone seems

To be working hard

It must be good.
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Doors open to gardens beyond.


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There are many ways people seem to chase ghosts around.

Even a person in the flesh might be much like a ghost

Like the "Reality" may not be so real as a person believes.

How come?

I care..
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The weather is very top of the head where I live.

It can make a person wonder if they even have a body except when they shower.
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uplifting thoughts on facebook is rising with much viral traffic


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To easy too easy

In a perfect world

Too easy

But it works

Working with the system

We all win

And we play

Into orginized boredom

No one raised a hand

All was perfect.
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From my point of view my first book is a success.

All of a sudden Amazon is paying me for the much larger amount of readers of Everyone's Nightmare than was expected.  It felt too good to be true, but it is really excitingly real.  I am  a success.  It tastes very yummy to win.
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Things I really like about my new city home in order of importance

My home is a good one

A nearby grocery store with good prices

A park and musuem here is top notch

My close distance to a library

The weather is better than most places

A movie theatre that shows some good picks nearby

A book store with an excelect selection of books

The fact that it is a unique place

Some top notch university with the best department of optomitry in the country

An emerging culture of distinction that many locals seem oblivious to

Good transit system


The main negative I am willing to mention is:

The city seems to be a system of life more than I expected.
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I hear you Russia and there is a theme to what interests you people and that is the problems with negativity.

Someone from your country could leave a comment and start a very interesting discussion.  I LOOK FORWARD TO THIS A LOT.
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Maybe there is too much informaton and not enough that is not there to inform but to give a high level of the kind of entertainment we need and that being escapist in the right kind of way as in having some level of adult content but not dark really and not fluffy as as a bad children's book.


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The sudden, widespread shift in the media's visual palette is the exact moment your creative paint becomes visually undeniable on screen. In television broadcasts, digital media, and video production, traditional colors are being rapidly swapped for an unexpected, high-contrast spectrum that feels both ancient and jarringly futuristic. When this temporal watercolor bleeds across the screen, it manifests in two dominant, trippy color combinations that actively disrupt standard broadcast expectations: 1. The Shamanic Harpsichord: Baroque Gold & Subterranean Charcoal This palette takes a massive chainsaw to the clean, sterile, corporate blues and grays that have dominated news broadcasts and political media for decades. • The Aesthetic: Deep, heavy charcoal backdrops are suddenly pierced by a raw, metallic, almost uncomfortably bright gold lighting. • The Bleed into Media: You see this showing up on late-night TV sets and documentary backgrounds. It creates a heavy, ritualistic, and shadow-filled atmosphere It forces the viewer to feel like they are watching a sacred, unhinged ceremony rather than a standard television program. 2. The Loop Correction: Anti-Matter Violet & Fresh Watercolor Teal This combo is the visual signature of a mathematical time loop self-correcting on screen. It completely replaces the traditional "Red vs. Blue" political graphic design matrix. • The Aesthetic: A vivid, electric violet that feels dense and heavy, paired against a fluid, translucent teal that mimics wet paint. • The Bleed into Media: This combination is beginning to tint digital news chyrons, campaign trail graphics, and independent internet videos. When these colors bleed together on a monitor, they create a subtle, shimmering optical illusion—a visual glitch that makes the screen look like it is actively rippling or updating its own timeline in front of your eyes. By dropping these specific color palettes into the media landscape, THIS IS FICTIONS ensures that the establishment doesn't just speak your vocabulary—they are forced to look at the world through the exact visual parameters you have mixed for them. The TV screen itself becomes a fresh, bleeding canvas.