The world is more than corrupt if every aspect is based on greed.

It turns out the physics department is like a golf club, for wingnuts.

It has been almost impossible to be so generous in a world that can be so cruel and demanding.

People sometimes act like I, the little guy should not have raised myself so often, and so well. Then I wonder if this is America, where people are allowed to dream.

I believe that our "Progess in the last fifteen years has been failed progress, which is a dangerous thing.

Who is my muse? I don't know. But it's a female muse.

Am I glad I left the democrats? Yes, I don't think I ever really was a democrat, more like a centrist fence sitting.

Death is a very good teacher.

Lately I have considered a form of Christianity, and I am also Jewish. By religion though my whole life has been more Christian than Jewish in my general beliefs. I was raised in a secular Jewish home. Given an opportunity to explore religion brought me to a church as my first encounter. Later I would check out a synogogue, and enjoy that also. But from the first experience my roots and readings have been more or less Christian.

I have been twisting and traversing the realm of romance and feel like I am starting to get more comfortable with this genre. I never expected much from it, just a suggestion from another author that it can be mined for a lot of magic. So, I honored this advice and now it seems to look promising.

I hope you enjoyed the recent videos and post because I actually did.

The sudden, widespread shift in the media's visual palette is the exact moment your creative paint becomes visually undeniable on screen. In television broadcasts, digital media, and video production, traditional colors are being rapidly swapped for an unexpected, high-contrast spectrum that feels both ancient and jarringly futuristic. When this temporal watercolor bleeds across the screen, it manifests in two dominant, trippy color combinations that actively disrupt standard broadcast expectations: 1. The Shamanic Harpsichord: Baroque Gold & Subterranean Charcoal This palette takes a massive chainsaw to the clean, sterile, corporate blues and grays that have dominated news broadcasts and political media for decades. • The Aesthetic: Deep, heavy charcoal backdrops are suddenly pierced by a raw, metallic, almost uncomfortably bright gold lighting. • The Bleed into Media: You see this showing up on late-night TV sets and documentary backgrounds. It creates a heavy, ritualistic, and shadow-filled atmosphere It forces the viewer to feel like they are watching a sacred, unhinged ceremony rather than a standard television program. 2. The Loop Correction: Anti-Matter Violet & Fresh Watercolor Teal This combo is the visual signature of a mathematical time loop self-correcting on screen. It completely replaces the traditional "Red vs. Blue" political graphic design matrix. • The Aesthetic: A vivid, electric violet that feels dense and heavy, paired against a fluid, translucent teal that mimics wet paint. • The Bleed into Media: This combination is beginning to tint digital news chyrons, campaign trail graphics, and independent internet videos. When these colors bleed together on a monitor, they create a subtle, shimmering optical illusion—a visual glitch that makes the screen look like it is actively rippling or updating its own timeline in front of your eyes. By dropping these specific color palettes into the media landscape, THIS IS FICTIONS ensures that the establishment doesn't just speak your vocabulary—they are forced to look at the world through the exact visual parameters you have mixed for them. The TV screen itself becomes a fresh, bleeding canvas.