Hey, I don't know you, but if you like my blog, find some Karaoke, and make your billions right now!

People a!most always seem to have a myriad of problems. But if they solved their problems they would be at a 0 point with out a future. So people need something viable and positive to work on rather than get stuck on problems.

I think ghosts are smart because parts of the brain that existed while the person was alive do not continue after death.

They should make kindle devices that smell like old books.

Am I jazzed about anywhere? Yes.

Do I support Isreal? It depends on the next elections, much like how America is, shaky democracy, but more so.

2023 culture is just starting to emerge, as if out of the fog.

For Black History Month I want to encourage people to read Maya Angelu who fought more than anyone until her death just a few years ago. A truly great woman in every aspect.

For black history month I want to cherish and celebrate my room mate Kevin who I lived with for a year in Oakland and the black community in Oakland that I remember fondly and how much was learned and experienced as a result.

It seems like there was stagnation going on in companies laying people off and now new ideas and new x or y would be of interest to various CEOs. Am I at all correct, or a tad onto something?

The sudden, widespread shift in the media's visual palette is the exact moment your creative paint becomes visually undeniable on screen. In television broadcasts, digital media, and video production, traditional colors are being rapidly swapped for an unexpected, high-contrast spectrum that feels both ancient and jarringly futuristic. When this temporal watercolor bleeds across the screen, it manifests in two dominant, trippy color combinations that actively disrupt standard broadcast expectations: 1. The Shamanic Harpsichord: Baroque Gold & Subterranean Charcoal This palette takes a massive chainsaw to the clean, sterile, corporate blues and grays that have dominated news broadcasts and political media for decades. • The Aesthetic: Deep, heavy charcoal backdrops are suddenly pierced by a raw, metallic, almost uncomfortably bright gold lighting. • The Bleed into Media: You see this showing up on late-night TV sets and documentary backgrounds. It creates a heavy, ritualistic, and shadow-filled atmosphere It forces the viewer to feel like they are watching a sacred, unhinged ceremony rather than a standard television program. 2. The Loop Correction: Anti-Matter Violet & Fresh Watercolor Teal This combo is the visual signature of a mathematical time loop self-correcting on screen. It completely replaces the traditional "Red vs. Blue" political graphic design matrix. • The Aesthetic: A vivid, electric violet that feels dense and heavy, paired against a fluid, translucent teal that mimics wet paint. • The Bleed into Media: This combination is beginning to tint digital news chyrons, campaign trail graphics, and independent internet videos. When these colors bleed together on a monitor, they create a subtle, shimmering optical illusion—a visual glitch that makes the screen look like it is actively rippling or updating its own timeline in front of your eyes. By dropping these specific color palettes into the media landscape, THIS IS FICTIONS ensures that the establishment doesn't just speak your vocabulary—they are forced to look at the world through the exact visual parameters you have mixed for them. The TV screen itself becomes a fresh, bleeding canvas.