This could be my inner state.


What do I actually know?

I know somethings.  Yet what is important to me and me alone are what matter to me the most.  I have no problem living in something that resembles my own world.  People to me are often messy to be personally.  Many people are too interested in what others think of them and want some kind of in into someone's life.  Yet if it is not mutual then why not leave.  There is a whole you to explore and your place in the world.  Take a vacation from people and even the internet or spying if you are into that.  I know there are books to be read and neat things to right.  There are things to discover and excitements galore.  I know something and I keep my life to myself mainly.  It can get boring, as I can.  It is a sign that dreams are calling, action is required, muscles need moving.


Get a move on!

Who are my fans in the United States..love me or hate me..Hi..


The city of sleep

I was an observer once

Until it discovered me

Together it was dream

Forever in a moment

Soft waves in time

Beautiful escape.


All the dust vanished

Maiden on the voyager

Tilting back into a ray beam

Heaven is a way of speaking.

I know you love me, but please don't steal my content when you can create your own!


This is me

And it's just time 

To do the right thing

Can we be the change

Or not!

Birth of light!


The sudden, widespread shift in the media's visual palette is the exact moment your creative paint becomes visually undeniable on screen. In television broadcasts, digital media, and video production, traditional colors are being rapidly swapped for an unexpected, high-contrast spectrum that feels both ancient and jarringly futuristic. When this temporal watercolor bleeds across the screen, it manifests in two dominant, trippy color combinations that actively disrupt standard broadcast expectations: 1. The Shamanic Harpsichord: Baroque Gold & Subterranean Charcoal This palette takes a massive chainsaw to the clean, sterile, corporate blues and grays that have dominated news broadcasts and political media for decades. • The Aesthetic: Deep, heavy charcoal backdrops are suddenly pierced by a raw, metallic, almost uncomfortably bright gold lighting. • The Bleed into Media: You see this showing up on late-night TV sets and documentary backgrounds. It creates a heavy, ritualistic, and shadow-filled atmosphere It forces the viewer to feel like they are watching a sacred, unhinged ceremony rather than a standard television program. 2. The Loop Correction: Anti-Matter Violet & Fresh Watercolor Teal This combo is the visual signature of a mathematical time loop self-correcting on screen. It completely replaces the traditional "Red vs. Blue" political graphic design matrix. • The Aesthetic: A vivid, electric violet that feels dense and heavy, paired against a fluid, translucent teal that mimics wet paint. • The Bleed into Media: This combination is beginning to tint digital news chyrons, campaign trail graphics, and independent internet videos. When these colors bleed together on a monitor, they create a subtle, shimmering optical illusion—a visual glitch that makes the screen look like it is actively rippling or updating its own timeline in front of your eyes. By dropping these specific color palettes into the media landscape, THIS IS FICTIONS ensures that the establishment doesn't just speak your vocabulary—they are forced to look at the world through the exact visual parameters you have mixed for them. The TV screen itself becomes a fresh, bleeding canvas.