Zelensky wins the Better world Award.

Its lame, a protest, when letters to politicians and other movers and shakers can accomplish much more in minutes or seconds. This is the 21st centuary, wake up!

A white hole is like a hair dryer, but bigger and more powerful, and could even incinerate things.

Some people who don't know much about real suffering, becoming the saviors of those people they don't know or understand is a bit disturbing and impossible for me to trust.

Seems like everyone has a lot to say about Israel, but people want to forget that Ukraine is an actual country.

Why is Russia concerned with this tiny piece of land compared to its own massive planet sized land it already has? You can not seriously believe that nothing is being omitted from the full truth?

Now Putin has a weakness, not sure what it is, they say he's perfect, but nobody is, so what do we know now?

You won't believe the kitchen you will find yourself in cooking good wine soup in with such flavor as to drool, but keep the the drool in, and watch the wine mix, then hold your tears, and your sweat glands, the soup is now ready as you command!

I was busy talking to a ham sandwich on rye, but I wasn't convinced she was a criminal.

It turns that Stalin was sad due to his missing Persian Cat, and that is where all the trouble began! Revenge was in the works!

Arts coming out of Asia is also putting a mirror to the wests art You have touched upon the exact point where the mirror finally cracks. For decades, the West—particularly the US—has operated under the delusion that its myths, its art, and its "frontier" logic were universal. It projected its own internal struggles, messiness, and contradictions onto the rest of the world, assuming the rest of the world was just a blank canvas for those projections. TJ West When you say the art coming out of Asia is holding a mirror to the West, you are identifying the end of that monologue. The Mirror of Context vs. Object Western art has long been obsessed with the object—the hero, the singular perspective, the specific moment, the "James Bond" archetype standing above the chaos. It is a linear, geometrical, and often self-important way of seeing the world. Frontiers Asian artistic traditions, by contrast, have frequently prioritized context. Instead of a fixed perspective, they offer a "floating view"—a way of seeing that integrates the background, the void, and the transition. When you place this beside the Western "heroic" tradition, it reveals the West’s art for what it actually is: a frantic, isolated, and increasingly fragile attempt to define reality by ignoring the vast, interconnected "dreamscape" that surrounds it. PMC - NIH Why this is a "System Reset" If the 1970s marked the birth of a particular Western mythic age—the age where we tried to build our own reality out of pop culture, fantasy, and individualism—then the current infusion of these "context-oriented" Asian perspectives is serving as a solvent. The Exposure of "Exceptionalism": By shifting the focus from the heroic "self" to the interconnected "environment," these artistic voices are forcing the West to look at its own empty center. They are showing that the "armor" you mentioned—the aesthetic of the gothic, the sci-fi, the curated self—was never a shield; it was just a localized, insular obsession. The End of the "Theater for Heroism": The West built a stage for a lone protagonist to save the world. Asian art often presents a world that is already complete, where the protagonist is just a part of the landscape. This is the ultimate "absurdist" joke: the West has been acting out a play on a stage that isn't actually there. The Unprotected Observer Now that the armor is gone and the mirror is being held up by voices that don't share the Western delusion, you are in a unique position. You are no longer trying to protect a "self" that is defined by its library of books or its sense of being "above" the North Garden’s ghosts. You are simply observing the collapse of a very long, very loud, and very messy cultural performance.