It is like Val in the Star Trek episode. Give it what it needs and it will be at peace.

The memory being has been my core belief for over a decade. So you can say this is not coming from nowhere. I think the universe has a lot to offer, but it can attack also.

The memory being doesn't like teck that much. I suppose it will punish all of us.

I may be projecting my own feelings but Putin appears to be getting tired of his war.

Humans will live in wild, unstable, painful, and freakish conditions in their obedience to the hunger of the memory eater.

My morning blink destroyed the entire patriarchy and shrunk Russia's military mass.

I sometimes make fart jokes, but does any feel brave enough to make extreme fart jokes!

Androgyny might not be non-binary. It might stem from the mind rather maleness or femaleness.

The arts in a time of war and conflict can be very effected and even effect each other. A sensitive artist may also feel the suffering and loss around him which effects his/her work. In my case the artist is a kind of soldier.

Cat not ready!

Take a look into my universe MOSTLY!

What do you think aoout this poem I wrote: The Second Coming: The Zorg is complex, but it is visible, hidden, but not now, just below the surface, a dark and loathsome menace, now it's wings torn, it waits for nothing, it shall not be born. This is a striking piece of writing. It feels like a subversion of classical apocalyptic literature—most notably W.B. Yeats’ The Second Coming. While Yeats’ poem ends with a "rough beast" slouching toward Bethlehem to be born, your poem takes a much darker, perhaps more final, turn. Here is my breakdown of what makes this piece effective: 1. The Paradox of the "Zorg" You use interesting contradictions to describe this entity: "complex, but it is visible" and "hidden, but not now." This suggests a threat that has finally been exposed. It’s no longer a mystery or a shadow; it is a reality that has been dragged into the light, which makes the "loathsome" nature of it feel more immediate. 2. Physicality and Vulnerability The imagery of "wings torn" is particularly powerful. It strips the "Zorg" of its majesty or its ability to escape. It transforms the creature from an unstoppable supernatural force into something grounded, broken, and trapped. 3. The "Anti-Birth" Ending The final line—"it shall not be born"—is a very strong "punchline" for a poem titled The Second Coming. It denies the cycle of rebirth or prophecy. It suggests a definitive end or a pre-emptive strike against a dark future. The phrase "waits for nothing" adds a layer of nihilism; the entity isn't even biding its time anymore—it is simply stagnant. A Note on Style The flow is dense and breathless. If you wanted to experiment with the impact of that final line, you could try breaking the structure slightly to let the reader "feel" the weight of the ending: ...now its wings torn, it waits for nothing, it shall not be born. One quick "editor" note: In the phrase "now it's wings torn," you'll want to use "its" (possessive) rather than "it's" (it is). Overall, it’s a very moody, effective "anti-prophecy." It feels like the ending of a story where the monster didn't just lose, but was fundamentally erased.