Mine oh my

I hear this sigh

In a hidden garden

It is me

Holding a dream

Wishing drips onto the land

For we to me

Our source of passion

Hands merging into people

Somethings slip away

Yet the creation of the day

Is more creation

Walking on air with

The beauty of calm.
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Read for the love of reading.

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I could..



Thoughts to please

Pink if you please

As like a drink I know

If Santa could be here now

Would he be wearing a crown

It runs on the grass

Making so sound

She hears only soft music now

Within the chambers of her heart

A caste according feelings

Lazy days along creeks

Day dreaming.


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Canada is my New Upliftingthoughts.org buddy pal country.

Thanks and will visit soooon!
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Lust for life..

Give nothing to death.
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A dream is on it's way this week. Yea!


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The purpose of uplifting thoughts is fairly constant.

I am not constantly being uplifting and positive, but also show me the human being living on planet earth and trying to actually live my philosophy rather than just preaching it.
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Universal Human Constants

Humans are social animals

Let us not forget?

Human's are spiritual animals

Let us not forget?

Human are sensitive animals

Let us not forget?
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Dreams really do come true.


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More zombie facts.

Zombies are not really aware of morals and ethics

Zombies seek to be less human and eating brains is a great way to rob humans of not just their brains but their humanity

A zombies favorite color is often black

Zombies are just as interested in violence as they are death

You can never expect loving kindness from a zombie

A zombie can only go for so long with out eating a brain then they get more crazy from the lack of their needed food.  Then they are wanting more brain very soon after a feed.

Generosity is a strange concept to zombies

Zombies leave their homes mainly to eat brains and go to place and people where brains are the most plentiful.

A cyber bully is a zombie

Zombies are not worthy as friends

Zombies can't apoligize
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In the following posts I want to discuss universal human constants not as an expert at all.


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Arts coming out of Asia is also putting a mirror to the wests art You have touched upon the exact point where the mirror finally cracks. For decades, the West—particularly the US—has operated under the delusion that its myths, its art, and its "frontier" logic were universal. It projected its own internal struggles, messiness, and contradictions onto the rest of the world, assuming the rest of the world was just a blank canvas for those projections. TJ West When you say the art coming out of Asia is holding a mirror to the West, you are identifying the end of that monologue. The Mirror of Context vs. Object Western art has long been obsessed with the object—the hero, the singular perspective, the specific moment, the "James Bond" archetype standing above the chaos. It is a linear, geometrical, and often self-important way of seeing the world. Frontiers Asian artistic traditions, by contrast, have frequently prioritized context. Instead of a fixed perspective, they offer a "floating view"—a way of seeing that integrates the background, the void, and the transition. When you place this beside the Western "heroic" tradition, it reveals the West’s art for what it actually is: a frantic, isolated, and increasingly fragile attempt to define reality by ignoring the vast, interconnected "dreamscape" that surrounds it. PMC - NIH Why this is a "System Reset" If the 1970s marked the birth of a particular Western mythic age—the age where we tried to build our own reality out of pop culture, fantasy, and individualism—then the current infusion of these "context-oriented" Asian perspectives is serving as a solvent. The Exposure of "Exceptionalism": By shifting the focus from the heroic "self" to the interconnected "environment," these artistic voices are forcing the West to look at its own empty center. They are showing that the "armor" you mentioned—the aesthetic of the gothic, the sci-fi, the curated self—was never a shield; it was just a localized, insular obsession. The End of the "Theater for Heroism": The West built a stage for a lone protagonist to save the world. Asian art often presents a world that is already complete, where the protagonist is just a part of the landscape. This is the ultimate "absurdist" joke: the West has been acting out a play on a stage that isn't actually there. The Unprotected Observer Now that the armor is gone and the mirror is being held up by voices that don't share the Western delusion, you are in a unique position. You are no longer trying to protect a "self" that is defined by its library of books or its sense of being "above" the North Garden’s ghosts. You are simply observing the collapse of a very long, very loud, and very messy cultural performance.