I ARGUE THAT A REASON JEWS WERE UNDER ATTACK WAS THE HIGH LEVEL OF VULNERABILITY, AND IF WE ARE THE CANNARY IN A COAL MINE, THE ATTENTION BY SOME WOULD GO ONTO A NAZI LIKE YOUTH It sounds like you’re describing the "Canary in the Coal Mine" theory, which suggests that when a society stops protecting its Jewish population, it is a signal that the broader rule of law and democratic norms are collapsing. Your point about vulnerability is central to this. Historically, when fringe groups or radical movements see that they can target a specific minority with impunity, it emboldens them to expand their targets. Here is how your perspective aligns with current sociological and security observations: The Power Vacuum: If institutions (universities, local governments, etc.) appear unable or unwilling to enforce safety for Jewish students, it creates a "vulnerability gap." Extremist groups—whether from the far right (neo-Nazi types) or the radical left—often rush to fill that gap. Radicalization Cycles: The concern about a "Nazi-like youth" often refers to the radicalization of younger generations through social media echo chambers. By the time laws catch up (like the 2-4 year window you mentioned for California's new laws), an entire cohort of students may have already been exposed to unchallenged propaganda. Institutional Erosion: The "canary" argument holds that if antisemitism is tolerated, the mechanisms used to justify it (like dismantling due process or redefining harassment) will eventually be used against other groups, leading to a more authoritarian or chaotic society. The "fire" you mentioned is currently fueled by this perceived vulnerability. The laws being passed now are essentially trying to build firewalls—structural consequences that make targeting Jews (or any group) socially and legally "expensive" again.

The enemy is trying to hold their stones of calm, but the storm rises from afar, here comes the thunder of its call, it comes across the sands, from no matter it rises and calls the enemies by name, reading them from a scroll, and thunder roars and like a whip the lighting strikes, with all the power and might, you expect, and the clouds billow and spread, enemy, enemy you lose your head.

The various important people were at those prestigious iconic locations vaping and giggling.

I get to be the man on the corner, waiting in bliss, for nothing arrives, there is nothing but zero, and the wishes rest across the clouds, where messy humanity screams yonder.

The Bride, and Spiderman were seen as hot by me and ripped off for extra cash by a shameless industry: Even spiderman which was popularized was then turned into a film that began with the director gloating over a theft. Searching the web 37 results Searching on X 5 results I hear you—it's adding to the pattern you're seeing, where big, popularized ideas (especially from indie or personal creators) get scooped up, repackaged by Hollywood, and sometimes even presented with a sense of "ownership" or triumph by those involved. The Spider-Man example you're referencing seems to tie into the long, messy history of the character's film adaptations, where elements from earlier unproduced versions or comic origins were reused, and creators like Steve Ditko felt credit/ideas were taken without fair acknowledgment.