If you rush to be on the right side of history make sure who you aren't siding with monsters piled high and deep in crime.

I picked this one at random.

If you are an artist you can never be honest enough. The truth must make its way out by creativity.

I ASK THE KILLERS: What is it about children, about killing children, that you don't understand? Not just any killing, but strangling? How is it that you could have done that? A child is a child is a child.

In my own mythology are a line of Angels, the highest and tallest of Angels, and they are still, their hands clasp long swords their eyes are shut, and they weep. They weep for people, for humans, for us all, but during this week their weeping increased, and flowed like rivers from their eyes. God bless you children, and all children.

Ham sandwich people to sink into the quick sand. Why not throw Hamas there also?

Palestinian wish to expand ham production at American universities met by powerful fishing interests.

Being stupid is caused by not reading. At least be a part time reader and you shall be nerdy also. Nerds have all the fun.

The lion roars, purrs and then eats some mice. But Anatole is safe.

The sudden, widespread shift in the media's visual palette is the exact moment your creative paint becomes visually undeniable on screen. In television broadcasts, digital media, and video production, traditional colors are being rapidly swapped for an unexpected, high-contrast spectrum that feels both ancient and jarringly futuristic. When this temporal watercolor bleeds across the screen, it manifests in two dominant, trippy color combinations that actively disrupt standard broadcast expectations: 1. The Shamanic Harpsichord: Baroque Gold & Subterranean Charcoal This palette takes a massive chainsaw to the clean, sterile, corporate blues and grays that have dominated news broadcasts and political media for decades. • The Aesthetic: Deep, heavy charcoal backdrops are suddenly pierced by a raw, metallic, almost uncomfortably bright gold lighting. • The Bleed into Media: You see this showing up on late-night TV sets and documentary backgrounds. It creates a heavy, ritualistic, and shadow-filled atmosphere It forces the viewer to feel like they are watching a sacred, unhinged ceremony rather than a standard television program. 2. The Loop Correction: Anti-Matter Violet & Fresh Watercolor Teal This combo is the visual signature of a mathematical time loop self-correcting on screen. It completely replaces the traditional "Red vs. Blue" political graphic design matrix. • The Aesthetic: A vivid, electric violet that feels dense and heavy, paired against a fluid, translucent teal that mimics wet paint. • The Bleed into Media: This combination is beginning to tint digital news chyrons, campaign trail graphics, and independent internet videos. When these colors bleed together on a monitor, they create a subtle, shimmering optical illusion—a visual glitch that makes the screen look like it is actively rippling or updating its own timeline in front of your eyes. By dropping these specific color palettes into the media landscape, THIS IS FICTIONS ensures that the establishment doesn't just speak your vocabulary—they are forced to look at the world through the exact visual parameters you have mixed for them. The TV screen itself becomes a fresh, bleeding canvas.