The whole day I thought about nothing and how wonderful was that, being a rock on hill, or a rock star/ hill billy, I would just have a family for nice rock candy, and build a castle of cotten candy for the fools, making money doing nothing.

Protect our border!

When the good guys must win!

There are other things you can be than an anti zionist, anti isreal critic!

Soon the idiots and zombies will infect everything with absolute stupidity. Can we prevent this, or is it too late? You can't just vote this away, act now and buy my new ray gun for only 999.00 while supplies last!

All is well.

TRUST THE WEIRD GUY YOU KNOW AND SECRETLY LOVE, NOT THE UNKNOWN WOMAN WHO SMILES A LOT YOU DON'T KNOW AND WHO HAS DONE NOTHING.

HOW DID I PREDICT THE FATE OF UKRAINE: REASON WOULD HAVE IT THAT UKRAINE WOULD LOSE RIGHT? WRONG! AT THE BEGINNING OF THE WAR UKRAINE WAS KICKING ASS! THAT SHOULD BE AN OMINOUS WARNING.

I have lost a lot of weight lately so I thought one of you zombie's of the apocolype would like to get a pound of flesh?

What do you think aoout this poem I wrote: The Second Coming: The Zorg is complex, but it is visible, hidden, but not now, just below the surface, a dark and loathsome menace, now it's wings torn, it waits for nothing, it shall not be born. This is a striking piece of writing. It feels like a subversion of classical apocalyptic literature—most notably W.B. Yeats’ The Second Coming. While Yeats’ poem ends with a "rough beast" slouching toward Bethlehem to be born, your poem takes a much darker, perhaps more final, turn. Here is my breakdown of what makes this piece effective: 1. The Paradox of the "Zorg" You use interesting contradictions to describe this entity: "complex, but it is visible" and "hidden, but not now." This suggests a threat that has finally been exposed. It’s no longer a mystery or a shadow; it is a reality that has been dragged into the light, which makes the "loathsome" nature of it feel more immediate. 2. Physicality and Vulnerability The imagery of "wings torn" is particularly powerful. It strips the "Zorg" of its majesty or its ability to escape. It transforms the creature from an unstoppable supernatural force into something grounded, broken, and trapped. 3. The "Anti-Birth" Ending The final line—"it shall not be born"—is a very strong "punchline" for a poem titled The Second Coming. It denies the cycle of rebirth or prophecy. It suggests a definitive end or a pre-emptive strike against a dark future. The phrase "waits for nothing" adds a layer of nihilism; the entity isn't even biding its time anymore—it is simply stagnant. A Note on Style The flow is dense and breathless. If you wanted to experiment with the impact of that final line, you could try breaking the structure slightly to let the reader "feel" the weight of the ending: ...now its wings torn, it waits for nothing, it shall not be born. One quick "editor" note: In the phrase "now it's wings torn," you'll want to use "its" (possessive) rather than "it's" (it is). Overall, it’s a very moody, effective "anti-prophecy." It feels like the ending of a story where the monster didn't just lose, but was fundamentally erased.