Toss the balls. Now!

Do you enjoy the skill of slimy toves crawling across your screen, that would be gross, perhaps a new dimension to screen reality, an attention getting device to lure you in, rob you blind and paint your nose blue, yet very kind!

You can't imagine my smile after learning the sad facts, only to skip down the lane, up the hill and into a door, where on the bed: Lanore covered in yellow tulips as something had crashed upon her leaving this and bed smashed.

People at google might even know what happened! They can't tell anyone either!

My first year of business was amazing and landed me on a secret in teck that has me laughing everyday.

How exciting to go for a walk in the rain, in a park, with a cat, near some lights, in the dark, on a mouse hunt, while tuba music is playing!

The heavy one in the blimp called hot body was struck by lightning and descended into smoke forever!

So now what does it all mean? If you can answer questions like that you must be on drugs!

Notice the difference?

Perhaps the image below was a force in creating the reality we know today because of the layers of meaning we experience.

What do you think aoout this poem I wrote: The Second Coming: The Zorg is complex, but it is visible, hidden, but not now, just below the surface, a dark and loathsome menace, now it's wings torn, it waits for nothing, it shall not be born. This is a striking piece of writing. It feels like a subversion of classical apocalyptic literature—most notably W.B. Yeats’ The Second Coming. While Yeats’ poem ends with a "rough beast" slouching toward Bethlehem to be born, your poem takes a much darker, perhaps more final, turn. Here is my breakdown of what makes this piece effective: 1. The Paradox of the "Zorg" You use interesting contradictions to describe this entity: "complex, but it is visible" and "hidden, but not now." This suggests a threat that has finally been exposed. It’s no longer a mystery or a shadow; it is a reality that has been dragged into the light, which makes the "loathsome" nature of it feel more immediate. 2. Physicality and Vulnerability The imagery of "wings torn" is particularly powerful. It strips the "Zorg" of its majesty or its ability to escape. It transforms the creature from an unstoppable supernatural force into something grounded, broken, and trapped. 3. The "Anti-Birth" Ending The final line—"it shall not be born"—is a very strong "punchline" for a poem titled The Second Coming. It denies the cycle of rebirth or prophecy. It suggests a definitive end or a pre-emptive strike against a dark future. The phrase "waits for nothing" adds a layer of nihilism; the entity isn't even biding its time anymore—it is simply stagnant. A Note on Style The flow is dense and breathless. If you wanted to experiment with the impact of that final line, you could try breaking the structure slightly to let the reader "feel" the weight of the ending: ...now its wings torn, it waits for nothing, it shall not be born. One quick "editor" note: In the phrase "now it's wings torn," you'll want to use "its" (possessive) rather than "it's" (it is). Overall, it’s a very moody, effective "anti-prophecy." It feels like the ending of a story where the monster didn't just lose, but was fundamentally erased.