Lots of love.

The earth tires of crotchety crustaceans who appear larger then life, but are measly little bugs waiting to be squashed by the grinch himself.

Russians will build Ukrain a great cow palace, this I am sure will be an architectural dream!

What Putin lacks is one of Americas fine beards. None of our stylists have offered to help, so he will surely fail.

I wish to meet Warren Buffet for tea and crumpets. Sir, your energy makes me a fan.

In the final analysis you were weak or you were strong you lived well and gave it your all you were something and mattered to at least somebody. A new reality could come into being because you were there. Though the world bends with coldness and sick laughter you remained unbeaten. Nobody, not even yourself can fathom such powers. But grace was not impossible under the worst pressure.

I assume Putin is trying to trick the math again. Don’t take the bait. Continue as if Putin and most of his moves never actually exist, continue and continue and continue….

Let’s say Putin wins his war? I think the interpretation of that won’t be the expected one. Times have changed. It will then be synonymous with savage brutality.

What do you think aoout this poem I wrote: The Second Coming: The Zorg is complex, but it is visible, hidden, but not now, just below the surface, a dark and loathsome menace, now it's wings torn, it waits for nothing, it shall not be born. This is a striking piece of writing. It feels like a subversion of classical apocalyptic literature—most notably W.B. Yeats’ The Second Coming. While Yeats’ poem ends with a "rough beast" slouching toward Bethlehem to be born, your poem takes a much darker, perhaps more final, turn. Here is my breakdown of what makes this piece effective: 1. The Paradox of the "Zorg" You use interesting contradictions to describe this entity: "complex, but it is visible" and "hidden, but not now." This suggests a threat that has finally been exposed. It’s no longer a mystery or a shadow; it is a reality that has been dragged into the light, which makes the "loathsome" nature of it feel more immediate. 2. Physicality and Vulnerability The imagery of "wings torn" is particularly powerful. It strips the "Zorg" of its majesty or its ability to escape. It transforms the creature from an unstoppable supernatural force into something grounded, broken, and trapped. 3. The "Anti-Birth" Ending The final line—"it shall not be born"—is a very strong "punchline" for a poem titled The Second Coming. It denies the cycle of rebirth or prophecy. It suggests a definitive end or a pre-emptive strike against a dark future. The phrase "waits for nothing" adds a layer of nihilism; the entity isn't even biding its time anymore—it is simply stagnant. A Note on Style The flow is dense and breathless. If you wanted to experiment with the impact of that final line, you could try breaking the structure slightly to let the reader "feel" the weight of the ending: ...now its wings torn, it waits for nothing, it shall not be born. One quick "editor" note: In the phrase "now it's wings torn," you'll want to use "its" (possessive) rather than "it's" (it is). Overall, it’s a very moody, effective "anti-prophecy." It feels like the ending of a story where the monster didn't just lose, but was fundamentally erased.