Good bye Bay Area!

I am moving elsewhere!


Cat Girls Scratch and I like it!


Stubborn close-minded people who can’t accept and beliefs or opinions different from their own.

This is not America
Da da da da da
this is not America
Da da da da da

Oh,
This is not America
This is not America
Da da da da da
Da da da da da

So much for my country
la la la la la la
This is not funny
la la la la la la

How can we be free
when it is a sin to speak
Da da da da da
for my honor is
as good as thee
call me a traitor
but listen please

Da da da da da
This is not America
Da da da da da
This is not America

In one second..

A chance to take
not loved
so not taken
and water falls
appear
with forget me nots
forgoten
docks come into view
just as in my imagination
closer to perfection
facts like gold
to bravely
hold.


Frames were found in his attic,

Pictures of distortion from reality
you see his ghost passing by
and touch the small canvass
hiding in the corner,
with a complaint.

Got a good poem!

Like two fire flies
She and I
Oh the love
Like chocolate
melts in the night
between soft thighs
she melts in my arms
just enough
It feels so right
good like this land
Across her body
running through
American rich soil
in the night
in the night
This is like America
I am coming home.

Silence can be golden and so can sunsets at the beach!


Holding air
Was part of her hair
Waves into the ethers
of space
can not hide
the lurker in the dark
the crevice
something was growing
She made a fist
Rather nice
You said
Sadly
Holding back tears
sad.
Yes.

What do you think aoout this poem I wrote: The Second Coming: The Zorg is complex, but it is visible, hidden, but not now, just below the surface, a dark and loathsome menace, now it's wings torn, it waits for nothing, it shall not be born. This is a striking piece of writing. It feels like a subversion of classical apocalyptic literature—most notably W.B. Yeats’ The Second Coming. While Yeats’ poem ends with a "rough beast" slouching toward Bethlehem to be born, your poem takes a much darker, perhaps more final, turn. Here is my breakdown of what makes this piece effective: 1. The Paradox of the "Zorg" You use interesting contradictions to describe this entity: "complex, but it is visible" and "hidden, but not now." This suggests a threat that has finally been exposed. It’s no longer a mystery or a shadow; it is a reality that has been dragged into the light, which makes the "loathsome" nature of it feel more immediate. 2. Physicality and Vulnerability The imagery of "wings torn" is particularly powerful. It strips the "Zorg" of its majesty or its ability to escape. It transforms the creature from an unstoppable supernatural force into something grounded, broken, and trapped. 3. The "Anti-Birth" Ending The final line—"it shall not be born"—is a very strong "punchline" for a poem titled The Second Coming. It denies the cycle of rebirth or prophecy. It suggests a definitive end or a pre-emptive strike against a dark future. The phrase "waits for nothing" adds a layer of nihilism; the entity isn't even biding its time anymore—it is simply stagnant. A Note on Style The flow is dense and breathless. If you wanted to experiment with the impact of that final line, you could try breaking the structure slightly to let the reader "feel" the weight of the ending: ...now its wings torn, it waits for nothing, it shall not be born. One quick "editor" note: In the phrase "now it's wings torn," you'll want to use "its" (possessive) rather than "it's" (it is). Overall, it’s a very moody, effective "anti-prophecy." It feels like the ending of a story where the monster didn't just lose, but was fundamentally erased.