You will lose so climb into a hole and hyperventilate!


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I am not an elephant.

I am not donkey

Or a woman's bra

I am not stupid at all

I find myself climbing walls

Not as spiderman

But as a scared person

I can't hide

I can't hide my eyes

As forces collide

And make violence

So lift your head

Open your ears

Shut your mind

The kids cry

Band aids supplied

Passive and kind

Will more dictators rise

For a laser gun parade

Heads caught in wires

Sometimes it looks possible

Like a race car

To break the barrier

Winners from losers

Try me for a chat

Bring a rat!
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Bill Hole felt his longings to jump through the hole, but just wimped out suddenly, sat down and covered his face with his hands..

What ever happened to my courage (he thought)

Still there was no other way out of the cave

There was no other way

No options! (Echoed everywhere)


Bill Hole stood up

It was time at last!
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I often get ridiculously excited when writing a poem..knowing I may be creating a real something that has never existed before, and maybe going on a journey that has never been taken in which a new universe appears to be licked up like an ice cream miracle (s) forever!


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My new best Friend is a rock buddy..

You got to love someone

Even an inanimate object

Cause now I've alienated

Everyone

Almost.
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It is hard to loath, despise, vilify, Frankenstein, stigmatise, or witch hunt a funny guy!



















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I am not afraid of bats, but zombies yes!

Creeping around looking impatiently

To feed upon my brain inhuman fiend

I am scared to the clawing sounds now

Almost breaking the door down you

Freak from the lowest freak show

My cross is raised to the creep parade

Here comes the leader hungry horror

Leaping agility gets fast and faster no

The reason does not matter

She strikes with snakes

In her hair

Fear

Fear
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The shifting waves..

Stirred across the earth yes

That happens when

Spikes in time parade

Like festering weeds yes

Then rise upon the night

Concealing she hides it

Caressing what is left yes

She swings her stick

With a slimy net

She swings again yes

Never to end

Never to end
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Year off to good start so February shall not disappoint!


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Be kind to yourself, but with interests not luxuries.


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Words of the day:

Action

Best

Slow
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Why Arts and Culture Matter for US-China RelationsPeople-to-people connections often outlast official diplomacy. As noted in recent analyses, arts exchanges are "the good news" amid challenges, building empathy through shared experiences like music, exhibitions, and performances. In 2025, despite headwinds (e.g., funding cuts in the US, caution around sensitive topics), initiatives persist:Museum and Exhibition Collaborations: Major shows like "Recasting the Past: The Art of Chinese Bronzes" at The Met (Feb-Sep 2025, with Shanghai Museum) and Qi Baishi exhibitions in Boston highlight ancient-to-modern Chinese artistry, drawing large audiences and reframing perceptions. Performing Arts: Events such as the 2025 Opera Gala at Kennedy Center, pianist performances at Chinese embassies, and avant-garde dance festivals show authentic expression transcending borders. Youth and Educational Programs: China's "50,000 in 5 Years" initiative invites young Americans for study/exchanges, including choir festivals ("Bond with Kuliang: 2025 China-U.S. Youth Choir Festival") and heritage trips. Polls show improving US views of China among youth driven by these. Organizations Driving Exchange: Groups like Asia Society's US-China Forum on Arts and Culture, US-China Cultural and Educational Foundation, and Carolina Performing Arts facilitate ongoing dialogues, emphasizing resilience even in "difficult times." These efforts echo historical precedents—ping-pong diplomacy in the 1970s or orchestral tours—that humanized the "other" side.Balancing Influence and Mutual RespectConcerns about influence are valid on both sides: Some see Western pop culture as dominant globally, while China promotes its traditions abroad (e.g., via festivals or international art parades). A healthy dynamic avoids cultural hegemony—neither imposing "universal" Western modernism nor restricting flows for nationalism. Instead:Reciprocity: Exchanges should allow free exploration, e.g., American artists in China showcasing innovation, Chinese creators in the West sharing heritage without censorship fears. Independent Voices: Artist-driven projects (not just state-sponsored) often challenge stereotypes—modern Chinese dance surprising Western audiences with avant-garde edge, or US choirs connecting via shared music. Addressing Challenges: US caution (low-profile promotions) and China's emphasis on "positive" narratives can limit depth, but grassroots programs (e.g., high school exchanges, affinity travel on food/heritage) build organic ties. Aspect Current Positive Trends (2025) Pathways to Healthier Relations Exhibitions/Museums Joint bronze/Qi Baishi shows; global appeal More co-curated projects with diverse voices Performing Arts Embassies hosting concerts; youth choirs Increased touring without political filters Youth/Education 50,000 American invites; rising interest Expanded visas, scholarships for bidirectional flow Potential Risks Funding cuts, sensitivities Focus on non-political themes (e.g., nature, innovation) Ultimately, a healthy cultural relationship thrives on curiosity over competition—celebrating China's rich traditions (calligraphy, opera, contemporary innovation) alongside Western creativity, creating shared stories. As one expert put it, "Art brings everyone's hearts closer." If you're creating or curating in this space (music videos, poetry, ethereal aesthetics), amplifying cross-cultural themes could contribute beautifully.