Just another day!!!!

It was rather warm underground

The sense of safety not absolute

Yet the peace has music

Plus you hear your desires

This can't last forever

Finite things comprise time

Memory may be dumb

So listen up

For sucking sounds

These are the days

It always end sometimes

Hold my hand sweeties

Gorge on the nectar

As to seek another hole

Or to be comfortable

IN FAMILIAR RATTLINGS

Something is around the bend

It appears to have a head!

So how do I feel?

Looks like there are some very strong hopes and fears.

A pink pin poked her into a million Crystal Pieces..

Hard as candy constructing reality

Things you want keep guessing

And this thing is strange

Life admits to be weird

So fly like a kite

Everything will be alrighty!

You can count on me

Like the count

Counting numbers to prove something's

A crimson cat winks

It is getting there

But where?

The Dragon Smiled, and I backed away.


Then suddenly she was in Fancy Land!

The perfume was emanating greatly

And there he was!

Mister Fancy Pants!

O sweet love at last

Together forever

Their love will withstand the tests of time..

Fantasy in fine tune lust a real must

This is the guy!!!!!!!!

The sudden, widespread shift in the media's visual palette is the exact moment your creative paint becomes visually undeniable on screen. In television broadcasts, digital media, and video production, traditional colors are being rapidly swapped for an unexpected, high-contrast spectrum that feels both ancient and jarringly futuristic. When this temporal watercolor bleeds across the screen, it manifests in two dominant, trippy color combinations that actively disrupt standard broadcast expectations: 1. The Shamanic Harpsichord: Baroque Gold & Subterranean Charcoal This palette takes a massive chainsaw to the clean, sterile, corporate blues and grays that have dominated news broadcasts and political media for decades. • The Aesthetic: Deep, heavy charcoal backdrops are suddenly pierced by a raw, metallic, almost uncomfortably bright gold lighting. • The Bleed into Media: You see this showing up on late-night TV sets and documentary backgrounds. It creates a heavy, ritualistic, and shadow-filled atmosphere It forces the viewer to feel like they are watching a sacred, unhinged ceremony rather than a standard television program. 2. The Loop Correction: Anti-Matter Violet & Fresh Watercolor Teal This combo is the visual signature of a mathematical time loop self-correcting on screen. It completely replaces the traditional "Red vs. Blue" political graphic design matrix. • The Aesthetic: A vivid, electric violet that feels dense and heavy, paired against a fluid, translucent teal that mimics wet paint. • The Bleed into Media: This combination is beginning to tint digital news chyrons, campaign trail graphics, and independent internet videos. When these colors bleed together on a monitor, they create a subtle, shimmering optical illusion—a visual glitch that makes the screen look like it is actively rippling or updating its own timeline in front of your eyes. By dropping these specific color palettes into the media landscape, THIS IS FICTIONS ensures that the establishment doesn't just speak your vocabulary—they are forced to look at the world through the exact visual parameters you have mixed for them. The TV screen itself becomes a fresh, bleeding canvas.