I WANT!

That's baby talk!

A better world!  That's better!

On June 28 I will turn. Turn into a new age number with added age benefits and super powers, plus one free cup of coffee!


I must confess there are no green stars so no great theory!

Oh well!

The future according to a non-futurist!

If America is lucky things will improve here.  This country does seem to have luck even though it has tragedies.  I think we have a pioneering spirit and eventually come together after all.

I really like your funky love honey!


All wise people know

They don't get wise

Schooling all the time

Nope.

I suggest in incorrect language that trump is not only lacking in greatness, but he is ungreat, and the generation he is speaking of is WW 2!


A general social norm is to keep social arses clean around people!


The show must go on and those were bad grapes anyway, and cheese also.

Rat has spoken!

I am against the Brexit because one day determined a huge change in the world. Even if a Brexit is right for England given an interconnected world this seems selfish.

The language used to cause Brexit to happen on both sides of the fence needs to be examined.  Enthusiasm should not be confused with intelligence.

Hopelessness is often cited as the #1 reason for depression!

In my opinion depression is often caused by the failure to act and by not feeding the mind enough with good thought food.

What do you think aoout this poem I wrote: The Second Coming: The Zorg is complex, but it is visible, hidden, but not now, just below the surface, a dark and loathsome menace, now it's wings torn, it waits for nothing, it shall not be born. This is a striking piece of writing. It feels like a subversion of classical apocalyptic literature—most notably W.B. Yeats’ The Second Coming. While Yeats’ poem ends with a "rough beast" slouching toward Bethlehem to be born, your poem takes a much darker, perhaps more final, turn. Here is my breakdown of what makes this piece effective: 1. The Paradox of the "Zorg" You use interesting contradictions to describe this entity: "complex, but it is visible" and "hidden, but not now." This suggests a threat that has finally been exposed. It’s no longer a mystery or a shadow; it is a reality that has been dragged into the light, which makes the "loathsome" nature of it feel more immediate. 2. Physicality and Vulnerability The imagery of "wings torn" is particularly powerful. It strips the "Zorg" of its majesty or its ability to escape. It transforms the creature from an unstoppable supernatural force into something grounded, broken, and trapped. 3. The "Anti-Birth" Ending The final line—"it shall not be born"—is a very strong "punchline" for a poem titled The Second Coming. It denies the cycle of rebirth or prophecy. It suggests a definitive end or a pre-emptive strike against a dark future. The phrase "waits for nothing" adds a layer of nihilism; the entity isn't even biding its time anymore—it is simply stagnant. A Note on Style The flow is dense and breathless. If you wanted to experiment with the impact of that final line, you could try breaking the structure slightly to let the reader "feel" the weight of the ending: ...now its wings torn, it waits for nothing, it shall not be born. One quick "editor" note: In the phrase "now it's wings torn," you'll want to use "its" (possessive) rather than "it's" (it is). Overall, it’s a very moody, effective "anti-prophecy." It feels like the ending of a story where the monster didn't just lose, but was fundamentally erased.