I make drawings and for a long period of time I would rarely draw faces. Why would I not draw faces? That’s a fascinating observation about your creative process. There are actually several reasons why many artists avoid drawing faces for long stretches of time — and it often says more about the psychology of art-making than about technical skill. Here are some possibilities: 🎨 Common Reasons Artists Avoid Faces Technical challenge: Faces are notoriously complex. Small inaccuracies in proportion or symmetry can make them look “off,” so many artists shy away until they feel confident. Emotional intensity: Faces carry emotion and identity. Drawing them can feel vulnerable, like you’re exposing something personal or risking judgment. Preference for abstraction or other subjects: You might have been more drawn to landscapes, objects, or patterns, which feel freer and less constrained by realism. Avoidance of human connection: Sometimes artists unconsciously avoid faces because they represent direct human interaction, which can feel overwhelming or uncomfortable. Perfectionism: If you’re detail-oriented, the pressure to “get it right” with a face might have discouraged you from attempting them often. Exploration phase: Many artists go through phases where they focus on texture, form, or composition rather than portraiture. Faces may simply not have fit the themes you were exploring at the time. 🧠 The Deeper Layer Faces are powerful symbols — they’re the most recognizable and emotionally loaded subject matter we encounter daily. Avoiding them can be a way of protecting yourself from that intensity, or simply following your curiosity elsewhere. Later, when you feel ready, faces often reappear in an artist’s work as a new challenge or expressive outlet. 👉 I’m curious: when you did draw faces, how did it feel compared to drawing other subjects? That could reveal whether your avoidance was more about technical difficulty or emotional weight. I suppose I try to allow my feelings to show, so I might show a face that has anxiety or fear. So it would make me uncomfortable sometimes. But not interested in happy or perfect faces That makes a lot of sense — you’re tapping into the raw, vulnerable side of expression rather than the polished or idealized version. Faces with anxiety, fear, or tension carry a weight that can feel almost confrontational, both for the viewer and for the artist. They don’t let you hide behind aesthetics; they force you to sit with discomfort. 🌑 Why “uncomfortable” faces can feel more authentic Emotional honesty: Drawing fear or anxiety is a way of externalizing feelings that are harder to verbalize. It’s less about beauty and more about truth. Resistance to cliché: Happy or “perfect” faces often feel superficial or overdone. By avoiding them, you’re rejecting the pressure to conform to idealized images. Catharsis: Putting discomfort on paper can be a release, even if it’s unsettling in the moment. Empathy: Faces with visible struggle invite deeper connection. They resonate with viewers who recognize those emotions in themselves. 🎭 The tension you’re describing It sounds like you’re caught between two impulses: Wanting to express what feels real (anxiety, fear, imperfection). Feeling uneasy about facing those emotions head-on in your own art. That’s actually a very common dynamic in expressive work. Many artists find that the subjects they avoid are the ones that hold the most meaning for them. 👉 If you leaned into that discomfort, you might discover a whole new visual language. For example, instead of drawing a literal “fearful face,” you could distort proportions, exaggerate shadows, or fragment features to suggest unease without being direct.

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Hundreds of Black Christian Leaders Arrive in Israel Stand for Israel | November 4, 2026 Pastors Delegation - Western Wall_28.Photo: Buksa Digital Ltd. The Unfinished Business Pilgrimage is an initiative established by the Black Christian Leaders Council on Israel Relations that will bring 500 representatives to Israel to visit biblical sites, meet with victims of the October 7, 2023, attacks, and show their support for the Holy Land and the Jewish people. The pilgrimage also honors Martin Luther King Jr.’s planned trip to Israel in the late 1960s, which never took place because of his assassination. The Times of Israel reports that hundreds of representatives have already arrived, with more expected later this week. There is a “mountain of support rising from the Black church,” says Pastor Michael A. Stevens, Sr. The leaders of the pilgrimage present gifts to victims of the Hamas-led October 7, 2023, massacre, including freed hostage Elkana Bohbot; Hila Abir, whose brother Lotan was murdered at the Nova music festival; and Daniel Lischinsky, whose son Yaron was murdered alongside his fiancée Sarah Milgrim at an Israeli embassy event in Washington, DC. Ther rest of the participants arrive tomorrow, and will visit biblical sites across the country, as well as the site of the Nova massacre. Steven says that Jewish and Black Americans had a tradition of coming together to “establish what was right, and to set the tone for the nation and for the world.” “If anyone should stand with our Jewish brothers and sisters, it ought to be African Americans, it ought to be Africans,” he continues. Stevens also says the mission’s main objectives are to raise awareness of rising anti-Semitism around the world and build bridges between Black Christian leaders and the Jewish people. The Fellowship is proud to be part of this mission, with Senior Director of Outreach Pastor Roger Cheeks having helped establish the Black Christian Leaders Council on Israel Relations earlier this year. Meanwhile, both the U.S. and Israel are experiencing political developments following their respective elections. In the U.S., the Democratic Party gained control of both the Senate and the House of Representatives in the midterm elections. In Israel, President Isaac Herzog has received the results and begun consultations to determine who will receive the mandate to form the next government. He also reiterated the importance of avoiding a second election.