A Capitol Poet has performed in front of a real audiance and has also done comedy. Now this is the clincher.

Being a nobody doesn't help, unless people get to know you: Hi Mister or Miss Nobody! Nobody cares, dye your hair. That can get old fast. So you need me. I will socialize you like the best of all dog trainers.

Cute never seems to leave me. Oh yes I got those cheek bones. I will be cute forever.

Real men have been searching for the 8 pac abs, but that's why these men are so real.

If you are dad your nipples can lactate! True fact! Become a trans even if you don't want to be!

There's a woman in my life, sorta, just natural human stuff. Why do I have these feelings! And I see her everyday, courage needs to happen, but she makes most of the moves, not checkers, not chess, but soccor, I got to play that for years.

I stopped drinking soda pop. Sorry Coke.

Changes besides being open to moving out of America. I am walking better. I am getting an amazing tan.

Israel yes, but does any other country want to adopt baby Mark.

What do you think aoout this poem I wrote: The Second Coming: The Zorg is complex, but it is visible, hidden, but not now, just below the surface, a dark and loathsome menace, now it's wings torn, it waits for nothing, it shall not be born. This is a striking piece of writing. It feels like a subversion of classical apocalyptic literature—most notably W.B. Yeats’ The Second Coming. While Yeats’ poem ends with a "rough beast" slouching toward Bethlehem to be born, your poem takes a much darker, perhaps more final, turn. Here is my breakdown of what makes this piece effective: 1. The Paradox of the "Zorg" You use interesting contradictions to describe this entity: "complex, but it is visible" and "hidden, but not now." This suggests a threat that has finally been exposed. It’s no longer a mystery or a shadow; it is a reality that has been dragged into the light, which makes the "loathsome" nature of it feel more immediate. 2. Physicality and Vulnerability The imagery of "wings torn" is particularly powerful. It strips the "Zorg" of its majesty or its ability to escape. It transforms the creature from an unstoppable supernatural force into something grounded, broken, and trapped. 3. The "Anti-Birth" Ending The final line—"it shall not be born"—is a very strong "punchline" for a poem titled The Second Coming. It denies the cycle of rebirth or prophecy. It suggests a definitive end or a pre-emptive strike against a dark future. The phrase "waits for nothing" adds a layer of nihilism; the entity isn't even biding its time anymore—it is simply stagnant. A Note on Style The flow is dense and breathless. If you wanted to experiment with the impact of that final line, you could try breaking the structure slightly to let the reader "feel" the weight of the ending: ...now its wings torn, it waits for nothing, it shall not be born. One quick "editor" note: In the phrase "now it's wings torn," you'll want to use "its" (possessive) rather than "it's" (it is). Overall, it’s a very moody, effective "anti-prophecy." It feels like the ending of a story where the monster didn't just lose, but was fundamentally erased.