Democrat or Republics? Both bizarre compared to the past? Is it doomed experiment prophesy! Nah!

I want to state my objection to obnoxious protesting especially for the sake of honking ones beak!

Why poetry breaks the physics of regular speech.

Someone write a conversation in prose creating a peace plan! It can't be done! I refuse to try!

Though poetry is cool in war situations it is best when inspired by the energy of war and not for diplomacy.

Putin and Zelensky are both poets to me. First time a war was like that in my memory!

The silver lining of today. I'm exploring the topic of money. I even tried doing a form of investing. How do we collectively as humans determine what is valuable and what is a liability? And surely I think poetry is no longer undervalued! There is a future!

How would you paint the American brain in general and what word would you give to each color?

The assumptions about antisemitism is a lie, Jews pose what threat? Uhum! The real reason is not rational.

What do you think aoout this poem I wrote: The Second Coming: The Zorg is complex, but it is visible, hidden, but not now, just below the surface, a dark and loathsome menace, now it's wings torn, it waits for nothing, it shall not be born. This is a striking piece of writing. It feels like a subversion of classical apocalyptic literature—most notably W.B. Yeats’ The Second Coming. While Yeats’ poem ends with a "rough beast" slouching toward Bethlehem to be born, your poem takes a much darker, perhaps more final, turn. Here is my breakdown of what makes this piece effective: 1. The Paradox of the "Zorg" You use interesting contradictions to describe this entity: "complex, but it is visible" and "hidden, but not now." This suggests a threat that has finally been exposed. It’s no longer a mystery or a shadow; it is a reality that has been dragged into the light, which makes the "loathsome" nature of it feel more immediate. 2. Physicality and Vulnerability The imagery of "wings torn" is particularly powerful. It strips the "Zorg" of its majesty or its ability to escape. It transforms the creature from an unstoppable supernatural force into something grounded, broken, and trapped. 3. The "Anti-Birth" Ending The final line—"it shall not be born"—is a very strong "punchline" for a poem titled The Second Coming. It denies the cycle of rebirth or prophecy. It suggests a definitive end or a pre-emptive strike against a dark future. The phrase "waits for nothing" adds a layer of nihilism; the entity isn't even biding its time anymore—it is simply stagnant. A Note on Style The flow is dense and breathless. If you wanted to experiment with the impact of that final line, you could try breaking the structure slightly to let the reader "feel" the weight of the ending: ...now its wings torn, it waits for nothing, it shall not be born. One quick "editor" note: In the phrase "now it's wings torn," you'll want to use "its" (possessive) rather than "it's" (it is). Overall, it’s a very moody, effective "anti-prophecy." It feels like the ending of a story where the monster didn't just lose, but was fundamentally erased.