The liberal sound and brand is broken to pieces with high minded spite, I have then fart blasters, oh my.

These so-called “identity wars” aren’t just abstract debates; they shape how people perceive one another, often turning neighbors into adversaries. In the U.S., for example, identity has become a central battleground in what many call the “culture wars.” Issues around race, gender, and sexuality have been politicized to the point where some groups feel their very existence is under threat, while others feel their traditional values are being erased2. This dynamic often leads to what scholars call status threat—the fear that gains by one group mean losses for another. Online, this gets amplified. Algorithms reward outrage, and bad actors exploit identity divisions to sow discord. What starts as a disagreement over policy can quickly spiral into dehumanization and distrust. But here’s the hopeful part: identity doesn’t have to divide. It can also be a source of connection, empathy, and shared purpose. The challenge is creating spaces—online and off—where people can engage across differences without defaulting to fear or hostility.

Start it up!

StopAntisemitism @StopAntisemites · 12m Despite StopAntisemitism's efforts, some tech industries refuse to hold antisemitic employees accountable. StopAntisemitism needs YOUR help to hold these individuals accountable - scroll, read, and ACT! 1. Waleed Syed - Meta Senior Electrical Engineer Waleed Syed, based in San Francisco, isn’t just servicing customers, he’s spreading vile Jew hatred. He claims Jews were behind 9/11 and 10/7, calls them the world’s biggest problem, blames them for the rise in antisemitism, and defends Hamas terrorists who posed with the bodies of slain Israeli babies on 10/7. Why does Meta continue to employ him? ACT NOW: https://tinyurl.com/5n8bkrv6 2. Khaled Alashmouny - Apple Apple employee Khaled Alashmouny has taken to social media to warn of "Zionist enslavement" of the U.S. and a supposed "misalignment between American values and Zionism." Like the Nazis of the past, today’s antisemites dehumanize Jews, now masked as "Zionists," to portray them as threats to society. Why is Apple tolerating this? ACT NOW: https://tinyurl.com/5y5d3s23 3. David Herring - 10 Pearls David Herring, Senior Director of Product Design & Innovation at IT firm 10Pearls, is spreading grotesque antisemitism online. He defends Hamas, denies the 10/7 sexual assaults confirmed by the UN and Hamas, falsely accuses the IDF of using rape as a war tactic, claims Israel rigs U.S. elections, and blames Israel for the hospital blast proven to be a Palestinian misfire. Herring even shared fake AI images of IDF soldiers shooting babies and said Gal Gadot was perfectly cast as a witch because "Zios" are thieves, liars, and murderers. Why is 10Pearls still employing him?

What will happen next in Iran? Civil problems.

When fear makes cowards, virtue signaling comes back.

What do you think aoout this poem I wrote: The Second Coming: The Zorg is complex, but it is visible, hidden, but not now, just below the surface, a dark and loathsome menace, now it's wings torn, it waits for nothing, it shall not be born. This is a striking piece of writing. It feels like a subversion of classical apocalyptic literature—most notably W.B. Yeats’ The Second Coming. While Yeats’ poem ends with a "rough beast" slouching toward Bethlehem to be born, your poem takes a much darker, perhaps more final, turn. Here is my breakdown of what makes this piece effective: 1. The Paradox of the "Zorg" You use interesting contradictions to describe this entity: "complex, but it is visible" and "hidden, but not now." This suggests a threat that has finally been exposed. It’s no longer a mystery or a shadow; it is a reality that has been dragged into the light, which makes the "loathsome" nature of it feel more immediate. 2. Physicality and Vulnerability The imagery of "wings torn" is particularly powerful. It strips the "Zorg" of its majesty or its ability to escape. It transforms the creature from an unstoppable supernatural force into something grounded, broken, and trapped. 3. The "Anti-Birth" Ending The final line—"it shall not be born"—is a very strong "punchline" for a poem titled The Second Coming. It denies the cycle of rebirth or prophecy. It suggests a definitive end or a pre-emptive strike against a dark future. The phrase "waits for nothing" adds a layer of nihilism; the entity isn't even biding its time anymore—it is simply stagnant. A Note on Style The flow is dense and breathless. If you wanted to experiment with the impact of that final line, you could try breaking the structure slightly to let the reader "feel" the weight of the ending: ...now its wings torn, it waits for nothing, it shall not be born. One quick "editor" note: In the phrase "now it's wings torn," you'll want to use "its" (possessive) rather than "it's" (it is). Overall, it’s a very moody, effective "anti-prophecy." It feels like the ending of a story where the monster didn't just lose, but was fundamentally erased.