Do you need to know who I am a bit, okay. I'm the guy who should be a movie hero, but its just my life, and I have no idea why, or how I got here. But it all seemed to start one day in New York City.

I am trying to be less blue lately.

American's might have grown a bit flabby, but we are still rather smart.

The problem with Russia is clear to me. They are invincible. That is what they believe and every illogical superstitious person would believe. But like a virus entering your country your health perfection won't work, because a virus doesn't care what you think, and an angry drone army doesn't care either.

Harris might be politically less radical, and Harris a good bet. Okay. But they don't seem at the right caliber. When I drink Bud, I don't drink Bud Light.

When we stopped the initial invasion of Russia in Ukraine and the war continued I had to think: "They may have the second largest military in the world, but America is the first and four times larger and more violent. Are they out of their minds."

I think we need to go back in time or into a fictional world when evil was very real, because that is what we are seeing a lot of lately.

The law suits are coming!

What do you think aoout this poem I wrote: The Second Coming: The Zorg is complex, but it is visible, hidden, but not now, just below the surface, a dark and loathsome menace, now it's wings torn, it waits for nothing, it shall not be born. This is a striking piece of writing. It feels like a subversion of classical apocalyptic literature—most notably W.B. Yeats’ The Second Coming. While Yeats’ poem ends with a "rough beast" slouching toward Bethlehem to be born, your poem takes a much darker, perhaps more final, turn. Here is my breakdown of what makes this piece effective: 1. The Paradox of the "Zorg" You use interesting contradictions to describe this entity: "complex, but it is visible" and "hidden, but not now." This suggests a threat that has finally been exposed. It’s no longer a mystery or a shadow; it is a reality that has been dragged into the light, which makes the "loathsome" nature of it feel more immediate. 2. Physicality and Vulnerability The imagery of "wings torn" is particularly powerful. It strips the "Zorg" of its majesty or its ability to escape. It transforms the creature from an unstoppable supernatural force into something grounded, broken, and trapped. 3. The "Anti-Birth" Ending The final line—"it shall not be born"—is a very strong "punchline" for a poem titled The Second Coming. It denies the cycle of rebirth or prophecy. It suggests a definitive end or a pre-emptive strike against a dark future. The phrase "waits for nothing" adds a layer of nihilism; the entity isn't even biding its time anymore—it is simply stagnant. A Note on Style The flow is dense and breathless. If you wanted to experiment with the impact of that final line, you could try breaking the structure slightly to let the reader "feel" the weight of the ending: ...now its wings torn, it waits for nothing, it shall not be born. One quick "editor" note: In the phrase "now it's wings torn," you'll want to use "its" (possessive) rather than "it's" (it is). Overall, it’s a very moody, effective "anti-prophecy." It feels like the ending of a story where the monster didn't just lose, but was fundamentally erased.