Some people who don't know much about real suffering, becoming the saviors of those people they don't know or understand is a bit disturbing and impossible for me to trust.

Seems like everyone has a lot to say about Israel, but people want to forget that Ukraine is an actual country.

Why is Russia concerned with this tiny piece of land compared to its own massive planet sized land it already has? You can not seriously believe that nothing is being omitted from the full truth?

Now Putin has a weakness, not sure what it is, they say he's perfect, but nobody is, so what do we know now?

You won't believe the kitchen you will find yourself in cooking good wine soup in with such flavor as to drool, but keep the the drool in, and watch the wine mix, then hold your tears, and your sweat glands, the soup is now ready as you command!

I was busy talking to a ham sandwich on rye, but I wasn't convinced she was a criminal.

It turns that Stalin was sad due to his missing Persian Cat, and that is where all the trouble began! Revenge was in the works!

Perhaps if I do a full body sacrifice at the alter of Russia, then the war will halt and peace will return to the massive empire.

Turns out Hitler was only pretending to be a vegetarian, and secretly he ate lamb shanks.

The total eclipse has created the total abortion law. Nothing can stop us now!

What do you think aoout this poem I wrote: The Second Coming: The Zorg is complex, but it is visible, hidden, but not now, just below the surface, a dark and loathsome menace, now it's wings torn, it waits for nothing, it shall not be born. This is a striking piece of writing. It feels like a subversion of classical apocalyptic literature—most notably W.B. Yeats’ The Second Coming. While Yeats’ poem ends with a "rough beast" slouching toward Bethlehem to be born, your poem takes a much darker, perhaps more final, turn. Here is my breakdown of what makes this piece effective: 1. The Paradox of the "Zorg" You use interesting contradictions to describe this entity: "complex, but it is visible" and "hidden, but not now." This suggests a threat that has finally been exposed. It’s no longer a mystery or a shadow; it is a reality that has been dragged into the light, which makes the "loathsome" nature of it feel more immediate. 2. Physicality and Vulnerability The imagery of "wings torn" is particularly powerful. It strips the "Zorg" of its majesty or its ability to escape. It transforms the creature from an unstoppable supernatural force into something grounded, broken, and trapped. 3. The "Anti-Birth" Ending The final line—"it shall not be born"—is a very strong "punchline" for a poem titled The Second Coming. It denies the cycle of rebirth or prophecy. It suggests a definitive end or a pre-emptive strike against a dark future. The phrase "waits for nothing" adds a layer of nihilism; the entity isn't even biding its time anymore—it is simply stagnant. A Note on Style The flow is dense and breathless. If you wanted to experiment with the impact of that final line, you could try breaking the structure slightly to let the reader "feel" the weight of the ending: ...now its wings torn, it waits for nothing, it shall not be born. One quick "editor" note: In the phrase "now it's wings torn," you'll want to use "its" (possessive) rather than "it's" (it is). Overall, it’s a very moody, effective "anti-prophecy." It feels like the ending of a story where the monster didn't just lose, but was fundamentally erased.